Bo Li

MFA 3 - Theatre

From 1942 to 2020

Why are you making this piece?
Since the beginning of the epidemic, I have followed the notice from the local authority to stay at home and stay alive. Since the food in my house has become thinner recently, I have to go out to hunt. Firstly, I found that I was completely expired, so I cut my hair. I was fully armed then I good to go to Walmart. I found what I needed, but I can’t find any toilet paper on any shelf… I just can’t get it why stock the toilet paper, is it because of the fear of sickness and coughing? Why don’t buy a mask? I found a “lipstick effect” online. I believe this could explain this kind of psychology. I choose to believe it.
I had some experience when I was a kid and that experience taught me I could use any paper-like material to handle this issue, there is a sexy Chinese verb which I think is perfect to use for this method – 挼. And dear friends, you must know that toilet paper is water-soluble, but not every paper uses this technology. So, Good Luck.
What is the idea behind the music?
I chose these two paintings because I occasionally saw an article in the newspaper. The article was very long and well written, but I did n’t really read anything at all. I got inspiration from those two paintings. In 1942, the United States had tension with Japan. At that time, the United States President Franklin D. Roosevelt signed Decree No. 9066 to establish a concentration camp for Japanese immigration and Japanese people, most of them were the third generation of immigrants who have nothing to do with Japan at all. Concentration camps hold about 120,000 people and confiscated their property. The government’s encouragement of discrimination against Japanese, various injustices and inhuman treatment happened. Now, What happened at that time is unimaginable in modern society.

In 2020, the current president, Trump tried to use the Chinese government to transfer internal conflicts. Social discrimination is happening again. As an Asian, I do n’t feel unsafe to live here, but sometimes seeing the information on the Internet and the words of some extremists really make me feel sad, because such people may live just next to me. My friends and I may be the next victims.
Human beings had great progress in terms of technology, but human nature has not changed much at all. 规则还是最一开始的弱肉强食, 难道不是吗?

About music

At the beginning of this music, it was a sign, just like the Chinese government’s initial reminder, but in fact, no one cared, and because of various restrictions, no one can do anything about it. until the music entered the next chapter-the outbreak. 在以前的时代的恐慌和愚昧是由于人眼看得见的战争, 而现在确是因为看不见的病毒.
The two results are the same but different, the same is between human, the difference is still between human.

Music: Bo Li (bolisound)
Painting: Edward Hopper

Emily Evans

Emily Evans We Are Sitting In A Room Inspired by Alvin Lucier’s “I Am Sitting In A Room,” this composition was created collaboratively by 12 students in my Production as Composition class at CalArts, currently “sheltering in place” at locations all around the globe. It started with a room tone…Then each student contributed a harmonic […]

Katherine Shea

Georgie Romero Is Done For A horror comedy audio drama podcast. Georgie Romero, a zombie, has risen from the grave, driven to solve the mystery of her former human life with the help of an inept witch and a cynical ghost. Rachel Greenberg, producer/co-writer/co-producer Socks Whitmore, producer/lead actor Evan Johnson, composer/sound engineer Elliot Yokum, sound […]

Sungjae Lee

Wind and Wave Drawings is a series of motion drawings that intrinsically shows only one piece of thread; the video describes how the shape of the thread is changed by the wave of water and wind. By gathering these diversified shapes of the original thread, this project challenges the fundamental origin of the world that […]

Matthew Pagoaga

Parallel Self Embraced “Parallel Self Embraced is an upcoming interactive light art installation to be installed at Burning Man 2021. Parallel Self Embraced presents two panels with human figures outlined in their center. Radial lines extend outward from the figures and beckon as doorways for entry. Entering the piece trips a variety of sensors and […]

Brian Griffith

Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]

Mechatronic Art and Music

Kai-Luen Liang Tomorrow There Will Be Wind ( Automatic Windchimes ) A performance of playing an Arduino controlled set of wind chimes. Vibration motors are activated through a motor driver creating divisions and polyrhythms based on various “states.” First iteration prototype with beer bottle activation.   Trevor Bock 4-Note Bottle Blowing Instrument I have always […]

Luka Fisher

No Time For Names is a 51 minute score created in Spring 2020 by artists Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, Kyler O’Neal, Ritual Spirit, Danielle Roz, and Christina Elaine Vasquez and arranged by Luka Fisher and her garage band. Collaborators: Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, […]