MFA 3 - Theatre
From 1942 to 2020
I had some experience when I was a kid and that experience taught me I could use any paper-like material to handle this issue, there is a sexy Chinese verb which I think is perfect to use for this method - 挼. And dear friends, you must know that toilet paper is water-soluble, but not every paper uses this technology. So, Good Luck.
In 2020, the current president, Trump tried to use the Chinese government to transfer internal conflicts. Social discrimination is happening again. As an Asian, I do n’t feel unsafe to live here, but sometimes seeing the information on the Internet and the words of some extremists really make me feel sad, because such people may live just next to me. My friends and I may be the next victims.
Human beings had great progress in terms of technology, but human nature has not changed much at all. 规则还是最一开始的弱肉强食, 难道不是吗?
At the beginning of this music, it was a sign, just like the Chinese government's initial reminder, but in fact, no one cared, and because of various restrictions, no one can do anything about it. until the music entered the next chapter-the outbreak. 在以前的时代的恐慌和愚昧是由于人眼看得见的战争, 而现在确是因为看不见的病毒.
The two results are the same but different, the same is between human, the difference is still between human.
Painting: Edward Hopper
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A series of toy cats and vehicle prototypes https://humeisen.wixsite.com/relicworkshop
Juan Herrera MFA 1 – Integrated Media Jardín de Delicias Jardín de Delicias (2019) is a three channel video installation that documents a performative action by the artist using wax in combination with original texts written by the artist.
Radical Practice is a series of podcast conversations between CalArts Graphic Design Program alumnae and current students. Each episode features an alumna with a distinct professional practice, including BFAs and MFAs whose endeavors range from cultural to corporate and from singular enterprises to ambitious ideas. We’ll discuss how they have defined success for themselves and […]
A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency/translucence, copying/covering, and distance/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of […]
faith in the 21st century and a look at the possible events- there is a chamber of people found in a basement of a prison who have been there since the late 1900’s suddenly an execution order has been created for all 144’000 souls and NOW an agent from the feds is investigating WHO the […]
J. Rosenbaum RMIT School of Art Set in Stone A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its […]
“Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions as a […]