Ulrich Krieger
Faculty, Music - Sonic Boom
Sonic Boom – REmote AMbience
Two ambient/ambient-noise pieces curated by Ulrich Krieger and developed together remotely by Sonic Boom.
Kilmartin, Evan/Hopper, Finn/Rose, Echo/Brown, Nicholas/Heidari-Bateni, Kion/Everingham, Christopher/Chen-Walters, Nicki/Ichiyanagi, Kanoa/Bills, Wheeler/Wall, Marley/Boyer, Aidan/Morones, Brian/Ma, Xiaoxiao/Newby, Franklin/Cohen, Samuel/Figliulo, Ray/Moyao, Emilio/Simmons, Alexander/Bone, Ari/Wood, Amando/Bjornson, Brandon/Griffith, Brian/Piepenbrink, Andrew
Ruoyi Shi
“I create 3 videos to show a world hidden inside the reflection of water. I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense […]
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Marina Santana De la Torre
Alternative Facts (Hechos Alternativos) A reflection on the phrase “Alternative Facts” used during a press conference in January 22, 2017
Andrea Turk
KARMA Music Video “Karma”, a song by Andrea Turk featuring Prince Husein, is a song that throws you into the situation of unreciprocated love and how one would react to it. In this song, both sides wish the other person well but also ‘karma’, for wasting their time and effort into a one-sided relationship. The […]
Jeremy Rosenstock
This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.
Alex Cerutti
Change The Game Change The Game is a creative exploration focused on being free, experimental, and self expressive — there are no limits. changethegame.studio
Greg Lewis
Rob Ford Explorer Original experimental music from CalArts that would be perfect for the virtual expo! Greg Lewis, Cameron Sax
Charles Danner
TW/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in […]