Perry Cook

(aka P-Ray) is professor emeritus of computer science (also music) at Princeton University. Cook is a visiting Artist/Lecturer at CalArts, founding advisor and IP Strategist to social music company Smule, and co-founder of online arts education company Kadenze.

COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome

I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when found on other robot percussion (cowbell, hand drums, etc.). The result will be a video document.

www.cs.princeton.edu/~prc

CV19 (COVID19) Circular Drum Sequencer

Drum (cough and wheeze) sequencer written entirely in ChucK. Result is a demo video, and open-source software code.

www.chucku.org

Patty Rangel

Hybrid Reality Theater “The Main Gallery screen will be pulled down and projected on it will be a video of Devorah Medwin (New York Actor’s Studio) doing a live reading of her play “”Maggie”” accompanied by her Second Life Avatar. After the video introduction, a reading of the short play will take place (live) by […]

Kenneth Chan

A music collage I made with reversed samples of my previously recorded music.

Lucas Brahme

Memorial An immersive virtual dining experience intended to guide the viewer through intimate experiences with the food of my heritage. The recipes in this project have been handed down orally throughout my family history and now that the previous generation is dead and gone, I take it upon myself to honor their memory while spreading […]

Bo Li

From 1942 to 2020 Why are you making this piece? Since the beginning of the epidemic, I have followed the notice from the local authority to stay at home and stay alive. Since the food in my house has become thinner recently, I have to go out to hunt. Firstly, I found that I was completely expired, so […]

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.