Perry Cook
(aka P-Ray) is professor emeritus of computer science (also music) at Princeton University. Cook is a visiting Artist/Lecturer at CalArts, founding advisor and IP Strategist to social music company Smule, and co-founder of online arts education company Kadenze.
COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome
I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when found on other robot percussion (cowbell, hand drums, etc.). The result will be a video document.
CV19 (COVID19) Circular Drum Sequencer
Drum (cough and wheeze) sequencer written entirely in ChucK. Result is a demo video, and open-source software code.
Emily Eisenstein
plasticity My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.
Luka Fisher
No Time For Names is a 51 minute score created in Spring 2020 by artists Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, Kyler O’Neal, Ritual Spirit, Danielle Roz, and Christina Elaine Vasquez and arranged by Luka Fisher and her garage band. Collaborators: Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, […]
Colin Yeo
I Am the Sun I Am the Sun is a virtual walk through play about a bear’s journey to self fulfillment. www.yeoart.com
Sven Golden
Blake The Sorcerer Blake The Sorcerer is a recently released album of original piano solo pieces with different moods and subjects Fortune Freeway –
Eyvind Kang
A class album and some videos Nina Flagg, Medusa
Madison Hicks
Still Growing “Still Growing” is a short solo created in the restrictions of my home surrounded around a stool. It is a study on time and growth, striving to show that we are “still growing” in this time of quarantine.
Wendy LuHong
Wendy LuHong BFA 3 – Art ANGEL
Jennie Park
Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]