Perry Cook
(aka P-Ray) is professor emeritus of computer science (also music) at Princeton University. Cook is a visiting Artist/Lecturer at CalArts, founding advisor and IP Strategist to social music company Smule, and co-founder of online arts education company Kadenze.
COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome
I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when found on other robot percussion (cowbell, hand drums, etc.). The result will be a video document.
CV19 (COVID19) Circular Drum Sequencer
Drum (cough and wheeze) sequencer written entirely in ChucK. Result is a demo video, and open-source software code.
Woohee Cho
TW/CW: hate speech, racism, violence untitled wooheecho.com
Colin Yeo
I Am the Sun I Am the Sun is a virtual walk through play about a bear’s journey to self fulfillment. www.yeoart.com
Danny Hynds
David Lynchenborough –
Chusu Kim
Alive! behance.net/chusukim
Kelon Cen
Doppelganger – Symbiosis Doppelgänger IV – Symbiosis (2020) is a composed theatre project exploring the concept of human-machine symbiosis. It’s an immersive multimedia experience that consists of projection mappings, spatialized sound, interactive sculpture, and performance art. Symbiosis is part of the Doppelgänger research project by IMUU that explores the human condition in a futuristic dystopia […]
Theater Portfolio
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Brian Griffith
Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]
Christine Lee
Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]


