Flag ASMR
“On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. Especially from immigrants of all colors, flying the flag out of a sense of fear of appearing to be on the wrong side.
The sound of the twin towers falling in my memory is silent. Filmed from far away. As the second plane hit, there was no sound on TV. I heard the sound via the sound of my own heart beating and the breath of the newscaster trying to be as professional as possible as they had to report a major catastrophe in real time, live in front of the world.
Flag ASMR is the attempt to recall a memory. An attempt to close a schism caused by a fear of the lines people cross and the fears of uncertainty, harm, and danger. What is the sound of a silent memory. The sound of it being touched, taken apart, and reordered.”
Redefining Boundaries
Building new systems, setting new parameters. Boundaries are constantly defined and redefined. An experiment in generative systems, generative image/ film and sound relationships. Exploring mutual relationships/ co-habitations of sonic and visual digital spaces.
Manufacturing Landscapes
*** warning: Contains strong flashing lights….
Manufacturing Landscapes:
A short film investigating the metaphors of vision used in surveillance hardware brand videos. Uses various Generative Adversarial Networks(GAN)/ machine learning image synthesis techniques to generate material related to vision and changing landscapes. Also looks at word associations with images by using text descriptions to generate images. The images generated were then used as “found footage” for the film.
Daniel Rappaport
Live Your Fantasy! Daniel L Rappaport is a CalArts alum (graphic design ’01) and is a graduate of the FIDM/Fashion Institute of Design and Merchandising (digital media ’08). His ascendants are Walt Disney, Steve Jobs, and others, and he hails from the disgustingly famous Beverly Hills, CA. He has over 25 years of digital media […]
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Joana P. Cardozo
The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery […]
Tim Feeney
Multimeda recordings of spontaneous music: prompts for assembling sound and image, running remote-distanced seances, and/or time-based annoyance. CalArts Percussion Ensemble: Morgan Alford, Kristyna Svihalkova, Henry Delargy, and Eric Lennartson Free Improvisation Ensemble: Camille Kiku Belair, Maria Alejandra Bulla, Rebecca Drapkin, Hazel Feiner, Brian Griffith, Jeremy Rosenstock, Adam Zuckerman, Kai Cleaveland, Stefany Glik, Bjorn Gustafsson, Terry […]
Brian Griffith
Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]
Emmanuel Bradshaw
Cloudcast An art therapy piece that utilizes a car experience to guide the audience in an intimate experience of self
Mira Spremich
Endure Yikai Luc Wu, Kai-Luen Liang, Madyson Thornquest, Max Harper, Nick Chang
Clay Chaplin
Clay Chaplin Music ESP Festival – Telematic Concert Series Day 1 – Fixed Media works Shuwen Zhao https://vimeo.com/418187433 Azariah Felton https://vimeo.com/418184810 Abigail Johnson https://vimeo.com/418184478 Andrew Dyet https://vimeo.com/418184643 Day 2 – Live Sets Isaac Rohr https://vimeo.com/418185412 Rebecca Drapkin https://vimeo.com/418185955 Day 3 – Live Sets Leslie Lang https://vimeo.com/418185804 Brian Griffith https://vimeo.com/418143070 Day 4 – Live Sets Maria […]