Estela Anakaren Silva Botello
BFA 3 - Film
México Mágico Machista
Part of documentation of a feminist protest in Monterrey, Mexico (nationwide initiative) on March 8th 2020— which sought to gain visibility to the alarming rates of femicides in Mexico due to gender violence rooted in machismo, an almost intrinsic, evil element of our culture.
*screen printed sign on cardboard
*scan of 35mm slide film

Leslie Crapster-Pregont
Light: action and reaction “Light: action and reaction” highlights the awe and wonder of the simple transition of light throughout the day. Time lapse video captures the movement of the sun and its reflection/refraction across dichroic tiles. The changing pattern of color and light encourages the viewer to slow down and appreciate shadow art that […]
Mira Spremich
Endure Yikai Luc Wu, Kai-Luen Liang, Madyson Thornquest, Max Harper, Nick Chang
Danny Hynds
David Lynchenborough –
Dongpu Ling
ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.
Kenneth Chan
A music collage I made with reversed samples of my previously recorded music.
Sam Jones
Noticing Nature Noticing Nature looks at how a new story is needed that is more centered around nature. It explores how everything, including ourselves, is connected, and how important it is that we take the time to slow down and notice the nature that surrounds us every day. http://www.noticingnature.com/
Yunni Lin
The Process A short film documenting the day to day training of dancers in the studios.
Xiaoyun Zeng
Dance Machine This project aims to discuss what’s the function of space, to explore the relationship between objects’ physical movements and spatial configuration in a different way, and to consider how we search/use/limit/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The […]
