Xiaoyun Zeng

MFA 2 - Art & Tech

Dance Machine

This project aims to discuss what’s the function of space, to explore the relationship between objects’ physical movements and spatial configuration in a different way, and to consider how we search/use/limit/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The purpose is to transforming the dismantling gestures into a machine perception, trying to conceive new possibilities toward seeing and stretching on modern dance, body movements, space section, choreography as visual art, and moving as objects. This project bases on three main components—space, light, and movement. Space includes unique spatial structures, which contains a stage, theater, gallery, human living place. Lighting and shadows shift in three-dimensional space to picturing a room blended with dots and lines, to show the replacement of the performer, the traces of objects’ movements, and the invisible.

Roger Holzberg

LIFE QUILT “Created by the Healthcare by Design class of 2020 (CalArts Theater School), in partnership with Henry Mayo hospital. LIFE QUILT is a part of a larger pilot program developed for patients & families approaching end of life. Each panel is an active, creative experience, designed to reduce anxiety, connect family members in support, […]

Carson Schafer

A Drum Solo Visualized Hello, I am a Jazz Drums MFA ALUM (’19). My goal with this submission has been to find a way to make visuals that clearly represent what drummers practice –moving around the kit and using multiple limbs at once to create music. I wondered if there was a way to visualize […]

Susana Pineda

The Mermaid is a collaborative music video and one of the 6 pieces of my thesis project “Inner Creatures.” “Inner Creatures” explores the development motivations, characteristics and environments of the different sub-personalities within the psyche. “The Mermaid” is the sub-personality that deals with the emergence of sexuality, sexual identity, femininity and the need for self-determination. […]

Joana P. Cardozo

The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery […]

Kenneth Chan

A music collage I made with reversed samples of my previously recorded music.

Jamie Naqvi

Scenes Inspired by film, memory, and collage, “Scenes” uses found and original material to recreate three scenes from its author’s life.