Sonia Vargas
Fullerton College - AA2
Lights

Greg Lewis
Rob Ford Explorer Original experimental music from CalArts that would be perfect for the virtual expo! Greg Lewis, Cameron Sax
Andrea Turk
KARMA Music Video “Karma”, a song by Andrea Turk featuring Prince Husein, is a song that throws you into the situation of unreciprocated love and how one would react to it. In this song, both sides wish the other person well but also ‘karma’, for wasting their time and effort into a one-sided relationship. The […]
Perry Cook
COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when […]
Colin Yeo
I Am the Sun I Am the Sun is a virtual walk through play about a bear’s journey to self fulfillment. www.yeoart.com
Media Home
Slide 1Slide 1 Slide 1Slide 1 Slide 1MEISEN HU BFA 4 – Theatre KELON CEN Alumni – Film Slide 1STEVE WEIR Alumni – Art ROBERT NOVER Design/Photography ’73 MADISON HICKS MFA 1 – Dance Slide 1 Slide 1 Slide 1 Slide 1 Slide 1HAMED DEHQAN MA – NTNU EDU COLIN YEO BFA 4 – Theatre […]
Tim Feeney
Multimeda recordings of spontaneous music: prompts for assembling sound and image, running remote-distanced seances, and/or time-based annoyance. CalArts Percussion Ensemble: Morgan Alford, Kristyna Svihalkova, Henry Delargy, and Eric Lennartson Free Improvisation Ensemble: Camille Kiku Belair, Maria Alejandra Bulla, Rebecca Drapkin, Hazel Feiner, Brian Griffith, Jeremy Rosenstock, Adam Zuckerman, Kai Cleaveland, Stefany Glik, Bjorn Gustafsson, Terry […]
Chusu Kim
Alive! behance.net/chusukim
Matthew Pagoaga
Parallel Self Embraced “Parallel Self Embraced is an upcoming interactive light art installation to be installed at Burning Man 2021. Parallel Self Embraced presents two panels with human figures outlined in their center. Radial lines extend outward from the figures and beckon as doorways for entry. Entering the piece trips a variety of sensors and […]
