Ruoyi Shi

MFA 1 - Art

I WENT DOWN THE STREAM

"I create 3 videos to show a world hidden inside the reflection of water.

I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense water to discover the unknown;

Just like water has no fixed form, I hold different identities when facing water.
I seek the trace of water anywhere I come across, as an archaeologist, an explorer, a stranger, a human being, or even an object. I talk with and attempt to build relationships with water, taking care of it and sometimes accidentally causing its rebirth.

The world is covered with” truths” that I can’t understand. I have to use my tentacle to sense the real truth. As the witness and a liaison of the hidden world, I attach consumer objects, uncontrollable nature, and myself together with ropes and words; to recreate the hidden world in this twisted reality. "

https://www.shiruoyi.com/

Carla Lopez

Water as a cleansing, invigorating, distortional, and transitional space. Motel pools as portals. Coloring and Layout Assistance – Lula Ochoa and Emily Malone My Swimmers – Lula Ochoa, Audrey Bandrowski, James Holsten, and Arius Ziaee Additional Camera Work – Savannah Perry Music by 11ai – www.ilai.link Thank you to the Calarts Risograph Printing Techs, especially […]

Gabriela Padilla

TW/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope.  

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.

Adam Zuckerman

A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency/translucence, copying/covering, and distance/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of […]