Mia Yao Meng

MFA 2 - Art & Tech

Hyperreal Gesstures

This project is a reflection of the gestures we perform on a routine basis in order to interact (as the trigger and the data input) with networked devices such as smartphones and laptops. These gestures are abstracted/flattened in the design process and transformed into online behaviors. This habit-formation process only takes us a few attempts to get into new games of communications and interactions. How and by whom is this gestural language designed? Where is it taking our bodily actions to? As gestural controls are being further developed to blending the online/virtual world and the “real world”, this project reveals something intimate and problematic, wandering around the missing context left behind through our online interactions.

mengyaoo.com

Lorelei Acuna

Indigarb Fast fashion is the world’s second largest polluter, emitting 10% of all carbon emissions and is dumped into lands and oceans all over the world. In Our compilation of video and photography come together to evoke empathetic response in our viewers. By seeing humans absorbed in plastic, we mirror the way our Earth and […]

Gabi Galloway

Gabi Galloway BFA 3 – Theatre Lysol This piece is a reflection on what I learned in Mike Bryant’s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women’s burden. In the world of sex […]

Shaharoh Chism

Crazy For You Crazy For You performed by Shaharoh and her band In Lieu Of. www.shaharoh.com Band: Brian Farst, David Howard and Ben Ochieng

Pierre Emmanuel Mariaca

The Net and the Self “The Net and the Self is an interactive music and dance installation mirroring our networked society. The audience enter in a room illuminated by UV blacklights where dancers and musicians interact through an amplified harp that has its strings connected with fluorescent fishing lines attached to the walls. The installation […]

Dongpu Ling

ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.

Max Harper

Apollo, Apollo! In this swift hell, firefighters wore upwards of seventy-five pounds of gear, as they walked atop a landscape rendered to burning coal. Guided only by headlights, the firefighters would soak the path in front of them. Every step released a fine silt of red embers and ash that moved weightlessly through the air, […]