“On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. Especially from immigrants of all colors, flying the flag out of a sense of fear of appearing to be on the wrong side.
The sound of the twin towers falling in my memory is silent. Filmed from far away. As the second plane hit, there was no sound on TV. I heard the sound via the sound of my own heart beating and the breath of the newscaster trying to be as professional as possible as they had to report a major catastrophe in real time, live in front of the world.
Flag ASMR is the attempt to recall a memory. An attempt to close a schism caused by a fear of the lines people cross and the fears of uncertainty, harm, and danger. What is the sound of a silent memory. The sound of it being touched, taken apart, and reordered.”
Building new systems, setting new parameters. Boundaries are constantly defined and redefined. An experiment in generative systems, generative image/ film and sound relationships. Exploring mutual relationships/ co-habitations of sonic and visual digital spaces.
*** warning: Contains strong flashing lights….
A short film investigating the metaphors of vision used in surveillance hardware brand videos. Uses various Generative Adversarial Networks(GAN)/ machine learning image synthesis techniques to generate material related to vision and changing landscapes. Also looks at word associations with images by using text descriptions to generate images. The images generated were then used as “found footage” for the film.
Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]
Water as a cleansing, invigorating, distortional, and transitional space. Motel pools as portals. Coloring and Layout Assistance – Lula Ochoa and Emily Malone My Swimmers – Lula Ochoa, Audrey Bandrowski, James Holsten, and Arius Ziaee Additional Camera Work – Savannah Perry Music by 11ai – www.ilai.link Thank you to the Calarts Risograph Printing Techs, especially […]
Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]
Slide 1Slide 1 Slide 1Slide 1 Slide 1MEISEN HU BFA 4 – Theatre KELON CEN Alumni – Film Slide 1STEVE WEIR Alumni – Art ROBERT NOVER Design/Photography ’73 MADISON HICKS MFA 1 – Dance Slide 1 Slide 1 Slide 1 Slide 1 Slide 1HAMED DEHQAN MA – NTNU EDU COLIN YEO BFA 4 – Theatre […]
ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.
Silver & Matte grey series The avatars of digital era
From 1942 to 2020 Why are you making this piece? Since the beginning of the epidemic, I have followed the notice from the local authority to stay at home and stay alive. Since the food in my house has become thinner recently, I have to go out to hunt. Firstly, I found that I was completely expired, so […]
Live Your Fantasy! Daniel L Rappaport is a CalArts alum (graphic design ’01) and is a graduate of the FIDM/Fashion Institute of Design and Merchandising (digital media ’08). His ascendants are Walt Disney, Steve Jobs, and others, and he hails from the disgustingly famous Beverly Hills, CA. He has over 25 years of digital media […]