Jennie Park

MFA 1 - Art

DIY Political Machines: Circular to Linear Motion

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law).

Vision Test / Viewfinder

This "vision test" or (tourist) "viewfinder" presents alternate interpretations of the same images, via 4 phrases: "WE ARE THE VIRUS," "THEY ARE THE VIRUS," "WE RESIST THE VIRUS," "THEY RESIST THE VIRUS." (An optician asks, “Lens A or B,” to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical “viruses:” the unhoused, imprisoned, etc. are deemed societal “diseases;” at once, capitalism, pollution & social media are deemed viral. In a given context, who are "we" & "they?" What's a "virus?" As "resist" has political and immunization-related meanings, what does it mean to "resist the virus?"

Joy Chan

14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I start to […]

Ruoyi Shi

“I create 3 videos to show a world hidden inside the reflection of water. I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense […]

Usha Venkat

Radical Practice Radical Practice is a series of podcast conversations between CalArts Graphic Design Program alumnae and current students. Each episode features an alumna with a distinct professional practice, including BFAs and MFAs whose endeavors range from cultural to corporate and from singular enterprises to ambitious ideas. We’ll discuss how they have defined success for […]

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.

Emily Eisenstein

plasticity My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.

Kenneth Chan

A music collage I made with reversed samples of my previously recorded music.