J. Rosenbaum

RMIT School of Art

Set in Stone

A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it goes. Then the marble starts to give way, non-conforming self expression, color, joy, emerging as the gender becomes unfixed, non-binary. Through this evolving conceptual artwork I am exploring how my machine creates images representing gender and if it holds onto its trained bias. I am examining what the gender shift looks like and what transgender and non-binary self expression and self aware aesthetics are beyond biological essentialism. I created the datasets using 3D modeling to echo the idealized masculinity and femininity of classical statuary. This is part of my ongoing research project and is an evolving conceptual piece.

www.jrosenbaum.com.au

Gabriela Padilla

TW/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope.  

Sven Golden

Blake The Sorcerer Blake The Sorcerer is a recently released album of original piano solo pieces with different moods and subjects Fortune Freeway –

Jon Hudson

sculpture: SYNCHRONICITY:MINQIN stainless steel sculpture, 15 ft. dia., installed at Minqin Intl. Desert Sculpture Park, outside Minqin, Gansu, China

Roger Holzberg

LIFE QUILT “Created by the Healthcare by Design class of 2020 (CalArts Theater School), in partnership with Henry Mayo hospital. LIFE QUILT is a part of a larger pilot program developed for patients & families approaching end of life. Each panel is an active, creative experience, designed to reduce anxiety, connect family members in support, […]

Meisen Hu

Cars N' Cats A series of toy cats and vehicle prototypes https://humeisen.wixsite.com/relicworkshop

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]