J. Rosenbaum
RMIT School of Art
Set in Stone
A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it goes. Then the marble starts to give way, non-conforming self expression, color, joy, emerging as the gender becomes unfixed, non-binary. Through this evolving conceptual artwork I am exploring how my machine creates images representing gender and if it holds onto its trained bias. I am examining what the gender shift looks like and what transgender and non-binary self expression and self aware aesthetics are beyond biological essentialism. I created the datasets using 3D modeling to echo the idealized masculinity and femininity of classical statuary. This is part of my ongoing research project and is an evolving conceptual piece.
John Tejada
Future Stars class compilation album John Tejada, a frequent guest on Touched Music compilations, hatched the idea of turning the final project for his CalArts “Advanced Electronic Music Production” class into a compilation album for the established label. John Tejada Presents Future Stars features 15 of Tejada’s students at their best, as well as an […]
Juan Antonio Rivera
Førgøtten – A Contemporary Ballet for the Soul. This art performance is about social justice in the 21st century, bringing to light the reality that our society now lives with police brutality. Many of my family members have had to have the “police” talk, “hoodie” talk, or “walking-out-late-at-night” talk with their teenagers, warning them that […]
Brian Griffith
Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]
Jiayu Zhang
Unbuilt Door Unbuilt Door is a collaborative sound installation between Jiayu Zhang and Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are […]
Emily Evans
Emily Evans We Are Sitting In A Room Inspired by Alvin Lucier’s “I Am Sitting In A Room,” this composition was created collaboratively by 12 students in my Production as Composition class at CalArts, currently “sheltering in place” at locations all around the globe. It started with a room tone…Then each student contributed a harmonic […]
Ward Melnikoff
Return Of The Radiolarian After a 20 year pause, my Radiolarian Landscapes are returning. http://wardmelnikoff.com/
Daniel Corral
15 Pendulums This is a Unity-based video piece, inspired by Reich’s Pendulum Music, but with a microtonal tuning based on a 1-3-5-7 combination-product set. The fundamental of this tuning is an upper 2/1 partial of the Schumann resonance 7.83 Hz. This Schumann resonance is basically the resonant frequency of the Earth’s electromagnetic field. Here is […]
Eric Lennartson
A laser pointer is pointed at a mirror attached to a balloon. Sounds from a synthesizer vibrate the balloon, causing the mirror to move. This moves the laser pointer, resulting in the visualization of how the sound causes the balloon to vibrate. The images produced from this process are called lissajous figures. The improvisation explores […]