Lorelei Acuna

BFA 2 - Film

Indigarb

Fast fashion is the world’s second largest polluter, emitting 10% of all carbon emissions and is dumped into lands and oceans all over the world. In Our compilation of video and photography come together to evoke empathetic response in our viewers. By seeing humans absorbed in plastic, we mirror the way our Earth and animal habitats are being covered in clothes and garbage every day. One solution we provide is upcycled fashion – turning old clothes/materials into ones that can be worn again, rather than thrown away, or buying new. We hope people begin to see beyond the glamour of fast fashion, and see our planet as our home, and our responsibility. Thank you to the WRI (World Resources Institute) for their constant support and insight for this project, as well as Yasmin Gibson and Maureen Furniss.

 

Lorelei Acuña (me) – director & stylist (curator)
Avery Jagre – director & fashion design (curator)
Josiah Green – photographer
Max Harper – filmmaker
Saira Mangat, Kelsey Gomez, Olivia Fogel – models
Damontae Hack – dancer/actor

Usha Venkat

Radical Practice Radical Practice is a series of podcast conversations between CalArts Graphic Design Program alumnae and current students. Each episode features an alumna with a distinct professional practice, including BFAs and MFAs whose endeavors range from cultural to corporate and from singular enterprises to ambitious ideas. We’ll discuss how they have defined success for […]

Sonia Vargas

Lights Lights of a carousel illuminating the dark sky https://syvargas470.wixsite.com/website

Minline Lee

Silver & Matte grey series The avatars of digital era

Meisen Hu

Cars N' Cats A series of toy cats and vehicle prototypes https://humeisen.wixsite.com/relicworkshop

Emiliano Aguirre

Tsar's Special Delivery Many years ago (a score or so) in an alternate America full of pastel colors, a state-sanctioned courier delivers a small jar of caviar.

Robert Steven Nover

The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.  

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]