Fallon Williams

MFA 2 - Theatre

IRIS

Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks.

Christian Mejia (MFA2, Lighting Design), Ky Docter (BFA3, Technical Direction), Karim Abuabara (BFA2, Technical Direction)

Colin Yeo

I Am the Sun I Am the Sun is a virtual walk through play about a bear’s journey to self fulfillment. www.yeoart.com  

Emmanuel Bradshaw

Cloudcast An art therapy piece that utilizes a car experience to guide the audience in an intimate experience of self

Alex Cerutti

Change The Game Change The Game is a creative exploration focused on being free, experimental, and self expressive — there are no limits. changethegame.studio

Susana Pineda

The Mermaid is a collaborative music video and one of the 6 pieces of my thesis project “Inner Creatures.” “Inner Creatures” explores the development motivations, characteristics and environments of the different sub-personalities within the psyche. “The Mermaid” is the sub-personality that deals with the emergence of sexuality, sexual identity, femininity and the need for self-determination. […]

Yiran Wang

Travel.Connect Finding connections in this world…

Kathleen Fox

Don't Let Me Be Lonely Don’t Let Me Be Lonely is an architectural projection performance inspired by Claudia Rankine’s book of poems of the same name. The projection mapping explores loneliness as it exists at CalArts both before and during the COVID19 Crisis. Rankine defines loneliness as “What we cannot do for each other.” This […]

Adam Peltier

home movies “sometimes i wish i was a woman, just so i could have an abortion” – john waters Connor Linnerooth "Lords and Ringz" – Last Week's Weather Tonight A celebrity guest and phone calls. What could go wrong? two jokes joke + joke = jokes

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.