Fallon Williams
MFA 2 - Theatre
IRIS
Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks.
Christian Mejia (MFA2, Lighting Design), Ky Docter (BFA3, Technical Direction), Karim Abuabara (BFA2, Technical Direction)
Jon Hudson
sculpture: SYNCHRONICITY:MINQIN stainless steel sculpture, 15 ft. dia., installed at Minqin Intl. Desert Sculpture Park, outside Minqin, Gansu, China
Adam Zuckerman
A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency/translucence, copying/covering, and distance/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of […]
Roger Kim
Elements Elements is an interactive web-based installation that uses the classical Chinese idea of five elements (火 fire, 水 water, 木 wood, 金 metal, and 土 earth) to explore perspectives that contradict and coexist at the same time. Visitors to the web-page will be able to manipulate elements (as represented by Chinese characters), and see […]
Madison Hicks
Still Growing “Still Growing” is a short solo created in the restrictions of my home surrounded around a stool. It is a study on time and growth, striving to show that we are “still growing” in this time of quarantine.
Danny Hynds
David Lynchenborough –
Adam Peltier
home movies “sometimes i wish i was a woman, just so i could have an abortion” – john waters Connor Linnerooth "Lords and Ringz" – Last Week's Weather Tonight A celebrity guest and phone calls. What could go wrong? two jokes joke + joke = jokes
Jeremy Rosenstock
This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.
Jennie Park
Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]