Caroline Snow

ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.

The Net and the Self “The Net and the Self is an interactive music and dance installation mirroring our networked society. The audience enter in a room illuminated by UV blacklights where dancers and musicians interact through an amplified harp that has its strings connected with fluorescent fishing lines attached to the walls. The installation […]

Doppelganger – Symbiosis Doppelgänger IV – Symbiosis (2020) is a composed theatre project exploring the concept of human-machine symbiosis. It’s an immersive multimedia experience that consists of projection mappings, spatialized sound, interactive sculpture, and performance art. Symbiosis is part of the Doppelgänger research project by IMUU that explores the human condition in a futuristic dystopia […]

The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery […]

Quarantine Acoustics When Jacob’s estranged sister Ashley asks him to reprise a role from his past, the two must come to terms with their relationship to his younger ‘female’ self in order to save their own. “Pass” is a queer one act musical in development. It had a staged reading on January 26, 2020 in […]

A laser pointer is pointed at a mirror attached to a balloon. Sounds from a synthesizer vibrate the balloon, causing the mirror to move. This moves the laser pointer, resulting in the visualization of how the sound causes the balloon to vibrate. The images produced from this process are called lissajous figures. The improvisation explores […]

Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]

TW/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in […]