Mira Spremich

BFA 4 - Dance

Endure

Yikai Luc Wu, Kai-Luen Liang, Madyson Thornquest, Max Harper, Nick Chang

Estela Anakaren Silva Botello

México Mágico Machista Part of documentation of a feminist protest in Monterrey, Mexico (nationwide initiative) on March 8th 2020— which sought to gain visibility to the alarming rates of femicides in Mexico due to gender violence rooted in machismo, an almost intrinsic, evil element of our culture. *screen printed sign on cardboard *scan of 35mm […]

Gabriela Padilla

TW/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope.  

Kathleen Fox

Don't Let Me Be Lonely Don’t Let Me Be Lonely is an architectural projection performance inspired by Claudia Rankine’s book of poems of the same name. The projection mapping explores loneliness as it exists at CalArts both before and during the COVID19 Crisis. Rankine defines loneliness as “What we cannot do for each other.” This […]

Robert Steven Nover

The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.  

Jessie Hodges

Save Yourself; VIDEO COMPILATION Submitting one installation work “Save Yourself” along with a compilation of videos that I would loop together. “No One Has Met Me, “Keep on Keepin’ On”,”Lick Piece”, “The Artist is Roasted” “What I Found Under the Rug: A Statement about Stress”   

Jamie Naqvi

Scenes Inspired by film, memory, and collage, “Scenes” uses found and original material to recreate three scenes from its author’s life.  

Fallon Williams

Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, […]

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]