Lorelei Acuna
BFA 2 - Film
Indigarb
Fast fashion is the world’s second largest polluter, emitting 10% of all carbon emissions and is dumped into lands and oceans all over the world. In Our compilation of video and photography come together to evoke empathetic response in our viewers. By seeing humans absorbed in plastic, we mirror the way our Earth and animal habitats are being covered in clothes and garbage every day. One solution we provide is upcycled fashion – turning old clothes/materials into ones that can be worn again, rather than thrown away, or buying new. We hope people begin to see beyond the glamour of fast fashion, and see our planet as our home, and our responsibility. Thank you to the WRI (World Resources Institute) for their constant support and insight for this project, as well as Yasmin Gibson and Maureen Furniss.
Lorelei Acuña (me) – director & stylist (curator)
Avery Jagre – director & fashion design (curator)
Josiah Green – photographer
Max Harper – filmmaker
Saira Mangat, Kelsey Gomez, Olivia Fogel – models
Damontae Hack – dancer/actor
Kenneth Chan
A music collage I made with reversed samples of my previously recorded music.
Chusu Kim
Alive! behance.net/chusukim
Luka Fisher
No Time For Names is a 51 minute score created in Spring 2020 by artists Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, Kyler O’Neal, Ritual Spirit, Danielle Roz, and Christina Elaine Vasquez and arranged by Luka Fisher and her garage band. Collaborators: Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, […]
Media Home
Slide 1Slide 1 Slide 1Slide 1 Slide 1MEISEN HU BFA 4 – Theatre KELON CEN Alumni – Film Slide 1STEVE WEIR Alumni – Art ROBERT NOVER Design/Photography ’73 MADISON HICKS MFA 1 – Dance Slide 1 Slide 1 Slide 1 Slide 1 Slide 1HAMED DEHQAN MA – NTNU EDU COLIN YEO BFA 4 – Theatre […]
Jennie Park
Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]
Brian Griffith
Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]