Lorelei Acuna
BFA 2 - Film
Indigarb
Fast fashion is the world’s second largest polluter, emitting 10% of all carbon emissions and is dumped into lands and oceans all over the world. In Our compilation of video and photography come together to evoke empathetic response in our viewers. By seeing humans absorbed in plastic, we mirror the way our Earth and animal habitats are being covered in clothes and garbage every day. One solution we provide is upcycled fashion – turning old clothes/materials into ones that can be worn again, rather than thrown away, or buying new. We hope people begin to see beyond the glamour of fast fashion, and see our planet as our home, and our responsibility. Thank you to the WRI (World Resources Institute) for their constant support and insight for this project, as well as Yasmin Gibson and Maureen Furniss.
Lorelei Acuña (me) – director & stylist (curator)
Avery Jagre – director & fashion design (curator)
Josiah Green – photographer
Max Harper – filmmaker
Saira Mangat, Kelsey Gomez, Olivia Fogel – models
Damontae Hack – dancer/actor
Moon Wang
I miss my three boyfriends This is a series of posters we made based on a girl who have mental illness and have lived in the hospital for 34 years.
Carla Lopez
Water as a cleansing, invigorating, distortional, and transitional space. Motel pools as portals. Coloring and Layout Assistance – Lula Ochoa and Emily Malone My Swimmers – Lula Ochoa, Audrey Bandrowski, James Holsten, and Arius Ziaee Additional Camera Work – Savannah Perry Music by 11ai – www.ilai.link Thank you to the Calarts Risograph Printing Techs, especially […]
Caroline Snow
Symbionese
Sonia Vargas
Lights Lights of a carousel illuminating the dark sky https://syvargas470.wixsite.com/website
Christine Lee
Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]
Emmanuel Bradshaw
Cloudcast An art therapy piece that utilizes a car experience to guide the audience in an intimate experience of self
Dongpu Ling
ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.
Emily Eisenstein
plasticity My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.

