Joana P. Cardozo

Joana P. Cardozo is a Brazilian visual artist based in Los Angeles and Sao Paulo. Her photographs create unconventional portraiture by examining the relationship amongst domestic spaces, their inhabitants and their objects. Her installations discuss the futility of human attachments in an impermanent world.

The Naked Hours

For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery space to use the restroom. I used clear tape, double-sided tape, museum putty, painter’s tape, and gaffer tape. The Naked Hours turned out to be much more than a quest for personal transformation, or the passage of time and the impermanence of this world. It became to be about the making of art and the destroying of art. The everyday life and its unnoticeable tasks. The cycle of life, being born, growing, aging, dying. The stillness and movement. The opposites, contrasts, spaces, blank spaces. It became to be about the mistakes. The anger. The meditation and the breath. The Naked Hours became to be about personal and global transformations. A virus spreading in the world.

Karlis Bergs

 


 

Unbuilt Door

Unbuilt Door is a collaborative sound installation between Jiayu Zhang and
Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are guided by the artists’ voice narrating the process of breaking through a wall of their room and entering the space beyond. Two recordings from two opposite perspectives, the wall-breaker and their next-door neighbor, require the participants to imagine the work and deal with questions of collaboration and transgression.
How can we individuals reconnect to each other in times of segregation?

Lucas Brahme

Memorial An immersive virtual dining experience intended to guide the viewer through intimate experiences with the food of my heritage. The recipes in this project have been handed down orally throughout my family history and now that the previous generation is dead and gone, I take it upon myself to honor their memory while spreading […]

Max Jaffe

The SOFT Glass “The S.O.F.T. (Sonification Of Flowing Temporality) Glass is an hourglass that makes and manipulates sound. In its final form, it will be a sculptural object that can double as a musical instrument, based on the simple and enduring timekeeping device dating back at least to the 16th century BC. Utilizing a variety […]

Roger Kim

Elements Elements is an interactive web-based installation that uses the classical Chinese idea of five elements (火 fire, 水 water, 木 wood, 金 metal, and 土 earth) to explore perspectives that contradict and coexist at the same time. Visitors to the web-page will be able to manipulate elements (as represented by Chinese characters), and see […]

Flenoit Webster

calvery xp faith in the 21st century and a look at the possible events- there is a chamber of people found in a basement of a prison who have been there since the late 1900’s suddenly an execution order has been created for all 144’000 souls and NOW an agent from the feds is investigating […]

Yiran Wang

Travel.Connect Finding connections in this world…

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.

MAHEDI ANJUMAN

Suffocation My artworks respond to the psychological impact of action and reaction (Sir Isaac Newton’s third law of motion). I like to think of this law in metaphorical terms beyond the literal mathematical implications. We exist in a constant state of action and reaction – every being is psychologically reacting to every action around that. […]