Joana P. Cardozo
Joana P. Cardozo is a Brazilian visual artist based in Los Angeles and Sao Paulo. Her photographs create unconventional portraiture by examining the relationship amongst domestic spaces, their inhabitants and their objects. Her installations discuss the futility of human attachments in an impermanent world.
The Naked Hours
For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery space to use the restroom. I used clear tape, double-sided tape, museum putty, painter’s tape, and gaffer tape. The Naked Hours turned out to be much more than a quest for personal transformation, or the passage of time and the impermanence of this world. It became to be about the making of art and the destroying of art. The everyday life and its unnoticeable tasks. The cycle of life, being born, growing, aging, dying. The stillness and movement. The opposites, contrasts, spaces, blank spaces. It became to be about the mistakes. The anger. The meditation and the breath. The Naked Hours became to be about personal and global transformations. A virus spreading in the world.
Unbuilt Door is a collaborative sound installation between Jiayu Zhang and
Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are guided by the artists’ voice narrating the process of breaking through a wall of their room and entering the space beyond. Two recordings from two opposite perspectives, the wall-breaker and their next-door neighbor, require the participants to imagine the work and deal with questions of collaboration and transgression.
How can we individuals reconnect to each other in times of segregation?
Genesis A clone decides she wants to be more than just another face in the crowd. Collaborators: Roy Berardo, Karen Tanaka, Brian Morones, MSmitherman, Madi Thoele, Samantha Norrie https://www.artstation.com/tristan_kilmer
A laser pointer is pointed at a mirror attached to a balloon. Sounds from a synthesizer vibrate the balloon, causing the mirror to move. This moves the laser pointer, resulting in the visualization of how the sound causes the balloon to vibrate. The images produced from this process are called lissajous figures. The improvisation explores […]
Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]
The SOFT Glass “The S.O.F.T. (Sonification Of Flowing Temporality) Glass is an hourglass that makes and manipulates sound. In its final form, it will be a sculptural object that can double as a musical instrument, based on the simple and enduring timekeeping device dating back at least to the 16th century BC. Utilizing a variety […]
calvery xp faith in the 21st century and a look at the possible events- there is a chamber of people found in a basement of a prison who have been there since the late 1900’s suddenly an execution order has been created for all 144’000 souls and NOW an agent from the feds is investigating […]
Water as a cleansing, invigorating, distortional, and transitional space. Motel pools as portals. Coloring and Layout Assistance – Lula Ochoa and Emily Malone My Swimmers – Lula Ochoa, Audrey Bandrowski, James Holsten, and Arius Ziaee Additional Camera Work – Savannah Perry Music by 11ai – www.ilai.link Thank you to the Calarts Risograph Printing Techs, especially […]