Jeremy Rosenstock

MFA 1 - Music

cairn eight: ii

This is a text setting of excerpts from "Notes on the Cinematograph" and "Au Hasard Balthazar" by Robert Bresson. The work is composed for speaking pianist.

Perry Cook

COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when […]

Juan Antonio Rivera

Førgøtten – A Contemporary Ballet for the Soul. This art performance is about social justice in the 21st century, bringing to light the reality that our society now lives with police brutality. Many of my family members have had to have the “police” talk, “hoodie” talk, or “walking-out-late-at-night” talk with their teenagers, warning them that […]

Kai Luen Liang

Flag ASMR “On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. Especially from immigrants of all colors, flying the flag out of a sense of fear of […]

Laura Sofia Perez

Modesty Odyssey Unreleased music video for “Modesty Odissey” by Brooklyn born artist Melanie Charles, whose creative fluidity spans jazz, soul, experimental, and her own Haitian roots.

Ward Melnikoff

Return Of The Radiolarian After a 20 year pause, my Radiolarian Landscapes are returning. http://wardmelnikoff.com/

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]

Emily Eisenstein

plasticity My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.