Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law).

This "vision test" or (tourist) "viewfinder" presents alternate interpretations of the same images, via 4 phrases: "WE ARE THE VIRUS," "THEY ARE THE VIRUS," "WE RESIST THE VIRUS," "THEY RESIST THE VIRUS." (An optician asks, “Lens A or B,” to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical “viruses:” the unhoused, imprisoned, etc. are deemed societal “diseases;” at once, capitalism, pollution & social media are deemed viral. In a given context, who are "we" & "they?" What's a "virus?" As "resist" has political and immunization-related meanings, what does it mean to "resist the virus?"