J. Rosenbaum
RMIT School of Art
Set in Stone
A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it goes. Then the marble starts to give way, non-conforming self expression, color, joy, emerging as the gender becomes unfixed, non-binary. Through this evolving conceptual artwork I am exploring how my machine creates images representing gender and if it holds onto its trained bias. I am examining what the gender shift looks like and what transgender and non-binary self expression and self aware aesthetics are beyond biological essentialism. I created the datasets using 3D modeling to echo the idealized masculinity and femininity of classical statuary. This is part of my ongoing research project and is an evolving conceptual piece.
Moon Wang
I miss my three boyfriends This is a series of posters we made based on a girl who have mental illness and have lived in the hospital for 34 years.
Sungjae Lee
Wind and Wave Drawings is a series of motion drawings that intrinsically shows only one piece of thread; the video describes how the shape of the thread is changed by the wave of water and wind. By gathering these diversified shapes of the original thread, this project challenges the fundamental origin of the world that […]
Pierre Emmanuel Mariaca
The Net and the Self “The Net and the Self is an interactive music and dance installation mirroring our networked society. The audience enter in a room illuminated by UV blacklights where dancers and musicians interact through an amplified harp that has its strings connected with fluorescent fishing lines attached to the walls. The installation […]
Dongpu Ling
ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.
Danny Hynds
David Lynchenborough –
Vanessa Kwan
Ernestine and Delilah Ernestine and Delilah navigate their love in an apocalyptic world. Collaborators: Claire Brnjac https://vanessakwan.art/
Robert Steven Nover
The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.
Minline Lee
Silver & Matte grey series The avatars of digital era