J. Rosenbaum

RMIT School of Art

Set in Stone

A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it goes. Then the marble starts to give way, non-conforming self expression, color, joy, emerging as the gender becomes unfixed, non-binary. Through this evolving conceptual artwork I am exploring how my machine creates images representing gender and if it holds onto its trained bias. I am examining what the gender shift looks like and what transgender and non-binary self expression and self aware aesthetics are beyond biological essentialism. I created the datasets using 3D modeling to echo the idealized masculinity and femininity of classical statuary. This is part of my ongoing research project and is an evolving conceptual piece.

www.jrosenbaum.com.au

Alex Cerutti

Change The Game Change The Game is a creative exploration focused on being free, experimental, and self expressive — there are no limits. changethegame.studio

Hamed Dehqan

Burn This is an abstract and artificial image of burning flowers under sunlight as a lover of love feels burning.     

Socks Whitmore

Quarantine Acoustics When Jacob’s estranged sister Ashley asks him to reprise a role from his past, the two must come to terms with their relationship to his younger ‘female’ self in order to save their own. “Pass” is a queer one act musical in development. It had a staged reading on January 26, 2020 in […]

Kathleen Fox

Don't Let Me Be Lonely Don’t Let Me Be Lonely is an architectural projection performance inspired by Claudia Rankine’s book of poems of the same name. The projection mapping explores loneliness as it exists at CalArts both before and during the COVID19 Crisis. Rankine defines loneliness as “What we cannot do for each other.” This […]

Dongpu Ling

ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.

Media Home

Slide 1Slide 1 Slide 1Slide 1 Slide 1MEISEN HU BFA 4 – Theatre KELON CEN Alumni – Film Slide 1STEVE WEIR Alumni – Art ROBERT NOVER Design/Photography ’73 MADISON HICKS MFA 1 – Dance Slide 1 Slide 1 Slide 1 Slide 1 Slide 1HAMED DEHQAN MA – NTNU EDU COLIN YEO BFA 4 – Theatre […]

Robert Steven Nover

The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.