J. Rosenbaum

RMIT School of Art

Set in Stone

A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it goes. Then the marble starts to give way, non-conforming self expression, color, joy, emerging as the gender becomes unfixed, non-binary. Through this evolving conceptual artwork I am exploring how my machine creates images representing gender and if it holds onto its trained bias. I am examining what the gender shift looks like and what transgender and non-binary self expression and self aware aesthetics are beyond biological essentialism. I created the datasets using 3D modeling to echo the idealized masculinity and femininity of classical statuary. This is part of my ongoing research project and is an evolving conceptual piece.

www.jrosenbaum.com.au

Eric Lennartson

A laser pointer is pointed at a mirror attached to a balloon. Sounds from a synthesizer vibrate the balloon, causing the mirror to move. This moves the laser pointer, resulting in the visualization of how the sound causes the balloon to vibrate. The images produced from this process are called lissajous figures. The improvisation explores […]

Robert Steven Nover

The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.  

Meisen Hu

Cars N' Cats A series of toy cats and vehicle prototypes https://humeisen.wixsite.com/relicworkshop

Joy Chan

14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I start to […]

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]

Pierre Emmanuel Mariaca

The Net and the Self “The Net and the Self is an interactive music and dance installation mirroring our networked society. The audience enter in a room illuminated by UV blacklights where dancers and musicians interact through an amplified harp that has its strings connected with fluorescent fishing lines attached to the walls. The installation […]