Gabriela Padilla
MFA 1 - Music
TW/CW: abuse, violence, suicide
Don't You Forget
This song is about overcoming depression and suicide awareness through hope.
Fallon Williams
Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, […]
Ruoyi Shi
“I create 3 videos to show a world hidden inside the reflection of water. I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense […]
Christine Lee
Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]
Patty Rangel
Hybrid Reality Theater “The Main Gallery screen will be pulled down and projected on it will be a video of Devorah Medwin (New York Actor’s Studio) doing a live reading of her play “”Maggie”” accompanied by her Second Life Avatar. After the video introduction, a reading of the short play will take place (live) by […]
Jeremy Rosenstock
This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.
Mira Spremich
Endure Yikai Luc Wu, Kai-Luen Liang, Madyson Thornquest, Max Harper, Nick Chang
Morgan Ogilvie
This is no dream
Jennie Park
Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]