Bo Li
MFA 3 - Theatre
From 1942 to 2020
I had some experience when I was a kid and that experience taught me I could use any paper-like material to handle this issue, there is a sexy Chinese verb which I think is perfect to use for this method – 挼. And dear friends, you must know that toilet paper is water-soluble, but not every paper uses this technology. So, Good Luck.
In 2020, the current president, Trump tried to use the Chinese government to transfer internal conflicts. Social discrimination is happening again. As an Asian, I do n’t feel unsafe to live here, but sometimes seeing the information on the Internet and the words of some extremists really make me feel sad, because such people may live just next to me. My friends and I may be the next victims.
Human beings had great progress in terms of technology, but human nature has not changed much at all. 规则还是最一开始的弱肉强食, 难道不是吗?
About music
At the beginning of this music, it was a sign, just like the Chinese government’s initial reminder, but in fact, no one cared, and because of various restrictions, no one can do anything about it. until the music entered the next chapter-the outbreak. 在以前的时代的恐慌和愚昧是由于人眼看得见的战争, 而现在确是因为看不见的病毒.
The two results are the same but different, the same is between human, the difference is still between human.
Painting: Edward Hopper
Marina Santana De la Torre
Alternative Facts (Hechos Alternativos) A reflection on the phrase “Alternative Facts” used during a press conference in January 22, 2017
Jennie Park
Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]
Jiayu Zhang
Unbuilt Door Unbuilt Door is a collaborative sound installation between Jiayu Zhang and Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are […]
Jamie Naqvi
Scenes Inspired by film, memory, and collage, “Scenes” uses found and original material to recreate three scenes from its author’s life.
Kathleen Fox
Don't Let Me Be Lonely Don’t Let Me Be Lonely is an architectural projection performance inspired by Claudia Rankine’s book of poems of the same name. The projection mapping explores loneliness as it exists at CalArts both before and during the COVID19 Crisis. Rankine defines loneliness as “What we cannot do for each other.” This […]
Graphic Design Program
CalArts Graphic Designers 2020 TAI MIN AHN SULAIMAN ALFASSAM AISHA ALKINAEY DOV ANNUSE EMMA BERLINER JACK BUSICK DAVID CATERINI MAGGIE CAO CONNY CAVAZOS ALEX CERUTTI LAURA CHALAND NOAH CHANG CAIHUI CHEN EMILY CHOI HAN-SOL CHUNG MACKENZIE COSTA MAXINE DAVISON XIYU DENG ANTHONY D’EREDITA HYUNBAE EARM BRYAN GELDERBLOOM CATHERINE GONG NATALIE GOODEN PAULINA GRUZDEV NADIA HAILE […]
Max Jaffe
The SOFT Glass “The S.O.F.T. (Sonification Of Flowing Temporality) Glass is an hourglass that makes and manipulates sound. In its final form, it will be a sculptural object that can double as a musical instrument, based on the simple and enduring timekeeping device dating back at least to the 16th century BC. Utilizing a variety […]
MAHEDI ANJUMAN
Suffocation My artworks respond to the psychological impact of action and reaction (Sir Isaac Newton’s third law of motion). I like to think of this law in metaphorical terms beyond the literal mathematical implications. We exist in a constant state of action and reaction – every being is psychologically reacting to every action around that. […]