Ward Melnikoff

Alumni - Art

Return Of The Radiolarian

After a 20 year pause, my Radiolarian Landscapes are returning.

http://wardmelnikoff.com/

Laura Sofia Perez

Modesty Odyssey Unreleased music video for “Modesty Odissey” by Brooklyn born artist Melanie Charles, whose creative fluidity spans jazz, soul, experimental, and her own Haitian roots.

Patty Rangel

Hybrid Reality Theater “The Main Gallery screen will be pulled down and projected on it will be a video of Devorah Medwin (New York Actor’s Studio) doing a live reading of her play “”Maggie”” accompanied by her Second Life Avatar. After the video introduction, a reading of the short play will take place (live) by […]

Adam Zuckerman

A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency/translucence, copying/covering, and distance/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of […]

Joana P. Cardozo

The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery […]

Vanessa Kwan

Ernestine and Delilah Ernestine and Delilah navigate their love in an apocalyptic world. Collaborators: Claire Brnjac https://vanessakwan.art/

Marina Santana De la Torre

Alternative Facts (Hechos Alternativos) A reflection on the phrase “Alternative Facts” used during a press conference in January 22, 2017

J. Rosenbaum

Set in Stone A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it […]

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.