Minline Lee

“I create 3 videos to show a world hidden inside the reflection of water. I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense […]

Suffocation My artworks respond to the psychological impact of action and reaction (Sir Isaac Newton’s third law of motion). I like to think of this law in metaphorical terms beyond the literal mathematical implications. We exist in a constant state of action and reaction – every being is psychologically reacting to every action around that. […]

A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency/translucence, copying/covering, and distance/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of […]

Wendy LuHong BFA 3 – Art ANGEL

Parallel Self Embraced “Parallel Self Embraced is an upcoming interactive light art installation to be installed at Burning Man 2021. Parallel Self Embraced presents two panels with human figures outlined in their center. Radial lines extend outward from the figures and beckon as doorways for entry. Entering the piece trips a variety of sensors and […]

Slide 1Slide 1 Slide 1Slide 1 Slide 1MEISEN HU BFA 4 – Theatre KELON CEN Alumni – Film Slide 1STEVE WEIR Alumni – Art ROBERT NOVER Design/Photography ’73 MADISON HICKS MFA 1 – Dance Slide 1 Slide 1 Slide 1 Slide 1 Slide 1HAMED DEHQAN MA – NTNU EDU COLIN YEO BFA 4 – Theatre […]

Apollo, Apollo! In this swift hell, firefighters wore upwards of seventy-five pounds of gear, as they walked atop a landscape rendered to burning coal. Guided only by headlights, the firefighters would soak the path in front of them. Every step released a fine silt of red embers and ash that moved weightlessly through the air, […]

ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.