MAHEDI ANJUMAN

MFA 1 - Art

Suffocation

My artworks respond to the psychological impact of action and reaction (Sir Isaac Newton’s third law of motion). I like to think of this law in metaphorical terms beyond the literal mathematical implications. We exist in a constant state of action and reaction – every being is psychologically reacting to every action around that. Through continuously acting and reacting, we transfer our emotions to others and that begins to lose meaning and importance through repetition. I believe, “I” am simply the reflection of my surroundings. Others’ actions and reactions developing “I”.

Given our social, political, economic, cultural, and religious circumstances are creating a huge impact on self-existence. Our soul is dominated every moment by imposed ideologies that prevent us from experiencing nature precisely. Our current circumstances are driving us towards aggression, leading us to become overcritical and violent. As a result, we are losing the authentic structure of our soul and our mind.

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Greg Lewis

Rob Ford Explorer Original experimental music from CalArts that would be perfect for the virtual expo! Greg Lewis, Cameron Sax

Gabriela Padilla

TW/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope.  

Laura Sofia Perez

Modesty Odyssey Unreleased music video for “Modesty Odissey” by Brooklyn born artist Melanie Charles, whose creative fluidity spans jazz, soul, experimental, and her own Haitian roots.

Hamed Dehqan

Burn This is an abstract and artificial image of burning flowers under sunlight as a lover of love feels burning.     

Minline Lee

Silver & Matte grey series The avatars of digital era

Roger Kim

Elements Elements is an interactive web-based installation that uses the classical Chinese idea of five elements (火 fire, 水 water, 木 wood, 金 metal, and 土 earth) to explore perspectives that contradict and coexist at the same time. Visitors to the web-page will be able to manipulate elements (as represented by Chinese characters), and see […]