Joana P. Cardozo
Joana P. Cardozo is a Brazilian visual artist based in Los Angeles and Sao Paulo. Her photographs create unconventional portraiture by examining the relationship amongst domestic spaces, their inhabitants and their objects. Her installations discuss the futility of human attachments in an impermanent world.
The Naked Hours
For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery space to use the restroom. I used clear tape, double-sided tape, museum putty, painter’s tape, and gaffer tape. The Naked Hours turned out to be much more than a quest for personal transformation, or the passage of time and the impermanence of this world. It became to be about the making of art and the destroying of art. The everyday life and its unnoticeable tasks. The cycle of life, being born, growing, aging, dying. The stillness and movement. The opposites, contrasts, spaces, blank spaces. It became to be about the mistakes. The anger. The meditation and the breath. The Naked Hours became to be about personal and global transformations. A virus spreading in the world.
Karlis Bergs
Unbuilt Door
Unbuilt Door is a collaborative sound installation between Jiayu Zhang and
Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are guided by the artists’ voice narrating the process of breaking through a wall of their room and entering the space beyond. Two recordings from two opposite perspectives, the wall-breaker and their next-door neighbor, require the participants to imagine the work and deal with questions of collaboration and transgression.
How can we individuals reconnect to each other in times of segregation?
Greg Lewis
Rob Ford Explorer Original experimental music from CalArts that would be perfect for the virtual expo! Greg Lewis, Cameron Sax
Marina Santana De la Torre
Alternative Facts (Hechos Alternativos) A reflection on the phrase “Alternative Facts” used during a press conference in January 22, 2017
Flenoit Webster
calvery xp faith in the 21st century and a look at the possible events- there is a chamber of people found in a basement of a prison who have been there since the late 1900’s suddenly an execution order has been created for all 144’000 souls and NOW an agent from the feds is investigating […]
Don Nguyen
Portfolio https://donnewin.weebly.com/
Eyvind Kang
A class album and some videos Nina Flagg, Medusa
Fallon Williams
Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, […]
Max Harper
Apollo, Apollo! In this swift hell, firefighters wore upwards of seventy-five pounds of gear, as they walked atop a landscape rendered to burning coal. Guided only by headlights, the firefighters would soak the path in front of them. Every step released a fine silt of red embers and ash that moved weightlessly through the air, […]
Adam Zuckerman
A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency/translucence, copying/covering, and distance/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of […]