Emily Eisenstein

BFA 3 - Theatre

plasticity

My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.

Robert Steven Nover

The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.  

Woohee Cho

TW/CW: hate speech, racism, violence untitled wooheecho.com

Patty Rangel

Hybrid Reality Theater “The Main Gallery screen will be pulled down and projected on it will be a video of Devorah Medwin (New York Actor’s Studio) doing a live reading of her play “”Maggie”” accompanied by her Second Life Avatar. After the video introduction, a reading of the short play will take place (live) by […]

Yiran Wang

Travel.Connect Finding connections in this world…

Socks Whitmore

Quarantine Acoustics When Jacob’s estranged sister Ashley asks him to reprise a role from his past, the two must come to terms with their relationship to his younger ‘female’ self in order to save their own. “Pass” is a queer one act musical in development. It had a staged reading on January 26, 2020 in […]

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]

Sonia Vargas

Lights Lights of a carousel illuminating the dark sky https://syvargas470.wixsite.com/website

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.