Woohee Cho

MFA 2 - Art

TW/CW: hate speech, racism, violence

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wooheecho.com

Perry Cook

COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when […]

Brian Griffith

Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]

Christine Lee

Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]

Mechatronic Art and Music

Kai-Luen Liang Tomorrow There Will Be Wind ( Automatic Windchimes ) A performance of playing an Arduino controlled set of wind chimes. Vibration motors are activated through a motor driver creating divisions and polyrhythms based on various “states.” First iteration prototype with beer bottle activation.   Trevor Bock 4-Note Bottle Blowing Instrument I have always […]

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.

Eyvind Kang

A class album and some videos Nina Flagg, Medusa

Charles Danner

TW/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in […]