Susana Pineda
MFA 2 - Music
The Mermaid
The Mermaid is a collaborative music video and one of the 6 pieces of my thesis project "Inner Creatures." "Inner Creatures" explores the development motivations, characteristics and environments of the different sub-personalities within the psyche. "The Mermaid" is the sub-personality that deals with the emergence of sexuality, sexual identity, femininity and the need for self-determination.
Susana Pineda: music composition, vocals and art direction
Camilo Ramirez, video director, video projections and video editing
Natalia Lassalle, photography director, camera
Nikki Nistal, dancer
Sky Spiegel, choreographer
Zhen Zhen Zhong, costume design and makeup
Nicolas Maldonado, production assistant
Duncan Stever, music production, mixing, synths and drum programing
Kevin Moran, world percussion
Josh Turner, electric bass
Perry Cook
COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome I’m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when […]
Theater Portfolio
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Jessie Hodges
Save Yourself; VIDEO COMPILATION Submitting one installation work “Save Yourself” along with a compilation of videos that I would loop together. “No One Has Met Me, “Keep on Keepin’ On”,”Lick Piece”, “The Artist is Roasted” “What I Found Under the Rug: A Statement about Stress”
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Eyvind Kang
A class album and some videos Nina Flagg, Medusa
Kathleen Fox
Don't Let Me Be Lonely Don’t Let Me Be Lonely is an architectural projection performance inspired by Claudia Rankine’s book of poems of the same name. The projection mapping explores loneliness as it exists at CalArts both before and during the COVID19 Crisis. Rankine defines loneliness as “What we cannot do for each other.” This […]
Dongpu Ling
ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.
Danny Hynds
David Lynchenborough –