J. Rosenbaum

RMIT School of Art

Set in Stone

A series of marble faces, generated by AI, as it learns to create and update its bias’ on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it goes. Then the marble starts to give way, non-conforming self expression, color, joy, emerging as the gender becomes unfixed, non-binary. Through this evolving conceptual artwork I am exploring how my machine creates images representing gender and if it holds onto its trained bias. I am examining what the gender shift looks like and what transgender and non-binary self expression and self aware aesthetics are beyond biological essentialism. I created the datasets using 3D modeling to echo the idealized masculinity and femininity of classical statuary. This is part of my ongoing research project and is an evolving conceptual piece.

www.jrosenbaum.com.au

Juan Herrera

Jardín de Delicias Jardín de Delicias (2019) is a three channel video installation that documents a performative action by the artist using wax in combination with original texts written by the artist.

Sven Golden

Blake The Sorcerer Blake The Sorcerer is a recently released album of original piano solo pieces with different moods and subjects Fortune Freeway –

MAHEDI ANJUMAN

Suffocation My artworks respond to the psychological impact of action and reaction (Sir Isaac Newton’s third law of motion). I like to think of this law in metaphorical terms beyond the literal mathematical implications. We exist in a constant state of action and reaction – every being is psychologically reacting to every action around that. […]

Cindy Pepper

Boxing Can Be Fun A contemporary duet danced on 2 wooden cubes performed by 2 dancers from Ballet West to the music of Keenan Webster composed on the African instrument called the baliphone. cynthiapepper.com

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]

Jon Hudson

sculpture: SYNCHRONICITY:MINQIN stainless steel sculpture, 15 ft. dia., installed at Minqin Intl. Desert Sculpture Park, outside Minqin, Gansu, China

Christine Lee

Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]