Christine Lee

MFA 1 - Art

Happy Headroom

“Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions as a tapestry of histories, biologies, and traditions, a weaving of nonlinear temporalities. The (un)raveling is a transference and exchange of memories, pain, and love, and transforms into a shared, intergenerational heirloom. Family becomes the representational vehicle that allows me to explore roles of tradition, family dynamics, emotional intimacy, and in a broader lens, a discussion of race, class, and migration.

 

Yunni Lin

The Process A short film documenting the day to day training of dancers in the studios.

Ajay Kapur

Ajay Kapur defines himself as a “Musical Scientist.” The “Scientist” in him organizes experiments on how computer programming, electrical engineering, and digital signal processing can be used in artistic practices. The “Musician” in him gathers all the current technology from his laboratory into modules that can be used in the concert hall, writing modern music […]

Mengqing Yuan

B-body “My B-body” is a project I created during home quarantine. It is based on a poem I wrote about the relationship between my physical body and my consciousness. The text of the poem reads: My B-body My body doesn’t belong to me It wants to be free It wants to come apart It wants […]

Madison Hicks

Still Growing “Still Growing” is a short solo created in the restrictions of my home surrounded around a stool. It is a study on time and growth, striving to show that we are “still growing” in this time of quarantine.

Moon Wang

I miss my three boyfriends This is a series of posters we made based on a girl who have mental illness and have lived in the hospital for 34 years.

Cindy Pepper

Boxing Can Be Fun A contemporary duet danced on 2 wooden cubes performed by 2 dancers from Ballet West to the music of Keenan Webster composed on the African instrument called the baliphone. cynthiapepper.com

Dongpu Ling

ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its “mind”, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.

Robert Steven Nover

The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. “The Fabric Of Our Country_#1, #2 & #3″, March 2020, 13″ x 19” dye print on Hahnemuhle Fine Art Baryta Satin paper.  

Meisen Hu

Cars N' Cats A series of toy cats and vehicle prototypes https://humeisen.wixsite.com/relicworkshop

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]