Aashray Harishankar

is a composer, producer, and keyboardist from Irvine, CA. He has musical foundations in Carnatic keyboard, jazz piano, composition, and audio engineering. He earned his B.A. in Music Technology from Stevens Institute in Hoboken, NJ and is currently pursuing his MFA as a Performer-Composer at CalArts.

Flight

“Flight” is a 2019 concept album mirroring the timeline of human life, from birth until death and beyond. Each song, lyrically and sonically, represents a different time period, but all are reflections of life as a whole. Beginning with “Liftoff/Zephyr”, we rise into a period of birth and infancy, of wonder and innocence, carrying into the youthful bounce of “The Sweetest Thing” and onto the teenage angst of “Break the Chain”. “Never Had Much Faith” introduces the first feelings of love as a young adult, building to the hardened ambition of “Pilot”. In “Gemini” we hit mid-life, a period split between youth and old age. As we reach old age, “After Dark” and “Oceans” bring in feelings of isolation, nostalgia, and loss of purpose, but a love of life is reborn in “Another Dawn” and leads to enlightenment at the end of life as we pass to “The Other Side”, escaping the atmosphere and into the unknown.

Kiera Dillon, Michael Cozine, Matt Renzo, Julian Hernandez, Eddie Wilkins Jr., Andrew Chrepta, Andrew Alvarez, Tristan Demetri, Sumika Inoue, Carlos Schmitt Dissenha, Justin Tanksley, Erik Rabasca, Alex Kaufman, Kavi Srinivasaragavan, Justin Kilpatrick


Steve Weir

Alleys The Alleys series documents a lesser-known casualty of the construction boom in Seattle—alleyways. While they often carry a negative reputation, they are an integral part of the urban landscape.

Alex Cerutti

Change The Game Change The Game is a creative exploration focused on being free, experimental, and self expressive — there are no limits. changethegame.studio

Laura Sofia Perez

Modesty Odyssey Unreleased music video for “Modesty Odissey” by Brooklyn born artist Melanie Charles, whose creative fluidity spans jazz, soul, experimental, and her own Haitian roots.

Kathleen Fox

Don't Let Me Be Lonely Don’t Let Me Be Lonely is an architectural projection performance inspired by Claudia Rankine’s book of poems of the same name. The projection mapping explores loneliness as it exists at CalArts both before and during the COVID19 Crisis. Rankine defines loneliness as “What we cannot do for each other.” This […]

Brian Griffith

Biological Internal Feedback Biological Internal Feedback is a visual music piece exploring the opaque gelatin that is created when combining the moment of inspiration and the realization of the thought. The video for this piece was created using nature footage taken from around my neighborhood, and abstract video synth textures created in the CalArts Videographics […]

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]

Fallon Williams

Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, […]