Daniel Corral

Alumni - Music

15 Pendulums

This is a Unity-based video piece, inspired by Reich’s Pendulum Music, but with a microtonal tuning based on a 1-3-5-7 combination-product set. The fundamental of this tuning is an upper 2/1 partial of the Schumann resonance 7.83 Hz. This Schumann resonance is basically the resonant frequency of the Earth’s electromagnetic field. Here is a video playlist with some of my other video pieces, as well: https://www.youtube.com/playlist?list=PL8ZHADWS0bBOvefrLN3gkyA0iLom4s8RZ

Count In

Count In is a meditation on the role of individual voices in an imminent post-human environment, based around a recording of Poly-Styrene (from the 70s punk band X-Ray Spex) defiantly shouting the numbers “1-2-3-4.”

Count In combines phasing techniques and just intonation (with a tuning system inspired by La Monte Young’s Well Tuned Piano) and the result is a mixture of Steve Reich, X-Ray Spex, James Tenney, and Sesame Street Pinball Number Counts. The layered iterations of Styrene’s voice are reinforced by the visual presence of corresponding numbers, which slowly change color akin to a James Turrell Skyspace.

Mechatronic Art and Music

Kai-Luen Liang Tomorrow There Will Be Wind ( Automatic Windchimes ) A performance of playing an Arduino controlled set of wind chimes. Vibration motors are activated through a motor driver creating divisions and polyrhythms based on various “states.” First iteration prototype with beer bottle activation.   Trevor Bock 4-Note Bottle Blowing Instrument I have always […]

Usha Venkat

Radical Practice Radical Practice is a series of podcast conversations between CalArts Graphic Design Program alumnae and current students. Each episode features an alumna with a distinct professional practice, including BFAs and MFAs whose endeavors range from cultural to corporate and from singular enterprises to ambitious ideas. We’ll discuss how they have defined success for […]

Ajay Kapur

Ajay Kapur defines himself as a “Musical Scientist.” The “Scientist” in him organizes experiments on how computer programming, electrical engineering, and digital signal processing can be used in artistic practices. The “Musician” in him gathers all the current technology from his laboratory into modules that can be used in the concert hall, writing modern music […]

Max Jaffe

The SOFT Glass “The S.O.F.T. (Sonification Of Flowing Temporality) Glass is an hourglass that makes and manipulates sound. In its final form, it will be a sculptural object that can double as a musical instrument, based on the simple and enduring timekeeping device dating back at least to the 16th century BC. Utilizing a variety […]

Susana Pineda

The Mermaid is a collaborative music video and one of the 6 pieces of my thesis project “Inner Creatures.” “Inner Creatures” explores the development motivations, characteristics and environments of the different sub-personalities within the psyche. “The Mermaid” is the sub-personality that deals with the emergence of sexuality, sexual identity, femininity and the need for self-determination. […]

Ulrich Krieger

Sonic Boom – REmote AMbience Two ambient/ambient-noise pieces curated by Ulrich Krieger and developed together remotely by Sonic Boom. Kilmartin, Evan/Hopper, Finn/Rose, Echo/Brown, Nicholas/Heidari-Bateni, Kion/Everingham, Christopher/Chen-Walters, Nicki/Ichiyanagi, Kanoa/Bills, Wheeler/Wall, Marley/Boyer, Aidan/Morones, Brian/Ma, Xiaoxiao/Newby, Franklin/Cohen, Samuel/Figliulo, Ray/Moyao, Emilio/Simmons, Alexander/Bone, Ari/Wood, Amando/Bjornson, Brandon/Griffith, Brian/Piepenbrink, Andrew

Jeremy Rosenstock

This is a text setting of excerpts from “Notes on the Cinematograph” and “Au Hasard Balthazar” by Robert Bresson. The work is composed for speaking pianist.