Eyvind Kang

Faculty - Music

Hip Hop Lab

A class album and some videos

Nina Flagg, Medusa

Christine Lee

Happy Headroom “Happy Headroom” was part of my mid-residency show titled “Living Threads” in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions […]

Emmanuel Bradshaw

Cloudcast An art therapy piece that utilizes a car experience to guide the audience in an intimate experience of self

Woohee Cho

TW/CW: hate speech, racism, violence untitled wooheecho.com

Fallon Williams

Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, […]

Aashray Harishankar

Flight “Flight” is a 2019 concept album mirroring the timeline of human life, from birth until death and beyond. Each song, lyrically and sonically, represents a different time period, but all are reflections of life as a whole. Beginning with “Liftoff/Zephyr”, we rise into a period of birth and infancy, of wonder and innocence, carrying […]

Yunni Lin

The Process A short film documenting the day to day training of dancers in the studios.

Roger Holzberg

LIFE QUILT “Created by the Healthcare by Design class of 2020 (CalArts Theater School), in partnership with Henry Mayo hospital. LIFE QUILT is a part of a larger pilot program developed for patients & families approaching end of life. Each panel is an active, creative experience, designed to reduce anxiety, connect family members in support, […]

Jennie Park

Three kinetic sculptures explore relationships between circularity/co-opting/recycling and linearity/polarization/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They’re NOT “voting machines;” they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested […]