{"id":749,"date":"2020-05-04T20:41:24","date_gmt":"2020-05-04T20:41:24","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=749"},"modified":"2020-05-14T04:38:02","modified_gmt":"2020-05-14T04:38:02","slug":"xiaoyun-zeng","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/","title":{"rendered":"Xiaoyun Zeng"},"content":{"rendered":"<div id=\"pl-749\"  class=\"panel-layout\" >\n<div id=\"pg-749-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-749-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-749-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\t\t<h1>Xiaoyun Zeng<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 2 - Art &amp; Tech <\/h3>\n\t\t<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-749-1\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-749-1-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-749-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Dance Machine<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<style type=\"text\/css\"><!--td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}--><\/style>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;This project aims to discuss what's the function of space, to explore the relationship between objects' physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The purpose is to transforming the dismantling gestures into a machine perception, trying to conceive new possibilities toward seeing and stretching on modern dance, body movements, space section, choreography as visual art, and moving as objects. This project bases on three main components\u2014space, light, and movement. Space includes unique spatial structures, which contains a stage, theater, gallery, human living place. Lighting and shadows shift in three-dimensional space to picturing a room blended with dots and lines, to show the replacement of the performer, the traces of objects' movements, and the invisible.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">This project aims to discuss what&#8217;s the function of space, to explore the relationship between objects&#8217; physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The purpose is to transforming the dismantling gestures into a machine perception, trying to conceive new possibilities toward seeing and stretching on modern dance, body movements, space section, choreography as visual art, and moving as objects. This project bases on three main components\u2014space, light, and movement. Space includes unique spatial structures, which contains a stage, theater, gallery, human living place. Lighting and shadows shift in three-dimensional space to picturing a room blended with dots and lines, to show the replacement of the performer, the traces of objects&#8217; movements, and the invisible.<\/span><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/xiaoyunzengzengzeng\/\"><img decoding=\"async\" class=\"alignnone  wp-image-948 lazyload\" data-src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"82\" height=\"82\" data-srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" data-sizes=\"(max-width: 82px) 100vw, 82px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 82px; --smush-placeholder-aspect-ratio: 82\/82;\" \/><noscript><img decoding=\"async\" class=\"alignnone  wp-image-948\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"82\" height=\"82\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" sizes=\"(max-width: 82px) 100vw, 82px\" \/><\/noscript><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-749-1-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-749-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/392622661?title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-749-2\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-749-2-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-749-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div id=\"pl-w5eb7012f6a7c0\"  class=\"panel-layout\" >\n<div id=\"pg-w5eb7012f6a7c0-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-w5eb7012f6a7c0-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-w5eb7012f6a7c0-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-639 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/joy-chan\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/joy-chan\/\">Joy Chan<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I start to [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-395 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/katherine-shea\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/katherine-shea\/\">Katherine Shea<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Georgie Romero Is Done For A horror comedy audio drama podcast. Georgie Romero, a zombie, has risen from the grave, driven to solve the mystery of her former human life with the help of an inept witch and a cynical ghost. Rachel Greenberg, producer\/co-writer\/co-producer Socks Whitmore, producer\/lead actor Evan Johnson, composer\/sound engineer Elliot Yokum, sound [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-860 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/wendy-luhong\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/wendy-luhong\/\">Wendy LuHong<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Wendy LuHong BFA 3 &#8211; Art ANGEL<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-660 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/ruoyi-shi\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/ruoyi-shi\/\">Ruoyi Shi<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>&#8220;I create 3 videos to show a world hidden inside the reflection of water. I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-531 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/dongpu-ling\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/dongpu-ling\/\">Dongpu Ling<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its \u201cmind\u201d, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-788 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/joana-p-cardozo\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/joana-p-cardozo\/\">Joana P. Cardozo<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-587 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jessie-hodges\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jessie-hodges\/\">Jessie Hodges<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Save Yourself; VIDEO COMPILATION Submitting one installation work &#8220;Save Yourself&#8221; along with a compilation of videos that I would loop together. &#8220;No One Has Met Me, &#8220;Keep on Keepin&#8217; On&#8221;,&#8221;Lick Piece&#8221;, &#8220;The Artist is Roasted&#8221; &#8220;What I Found Under the Rug: A Statement about Stress&#8221; \u00a0\u00a0<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-479 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/daniel-corral\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/daniel-corral\/\">Daniel Corral<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>15 Pendulums This is a Unity-based video piece, inspired by Reich&#8217;s Pendulum Music, but with a microtonal tuning based on a 1-3-5-7 combination-product set. The fundamental of this tuning is an upper 2\/1 partial of the Schumann resonance 7.83 Hz. This Schumann resonance is basically the resonant frequency of the Earth\u2019s electromagnetic field. Here is [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dance Machine This project aims to discuss what&#8217;s the function of space, to explore the relationship between objects&#8217; physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1484,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Xiaoyun Zeng - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Xiaoyun Zeng - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Dance Machine This project aims to discuss what&#8217;s the function of space, to explore the relationship between objects&#8217; physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. 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