{"id":749,"date":"2020-05-04T20:41:24","date_gmt":"2020-05-04T20:41:24","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=749"},"modified":"2020-05-14T04:38:02","modified_gmt":"2020-05-14T04:38:02","slug":"xiaoyun-zeng","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/","title":{"rendered":"Xiaoyun Zeng"},"content":{"rendered":"<div id=\"pl-749\"  class=\"panel-layout\" >\n<div id=\"pg-749-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-749-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-749-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\t\t<h1>Xiaoyun Zeng<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 2 - Art &amp; Tech <\/h3>\n\t\t<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-749-1\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-749-1-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-749-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Dance Machine<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<style type=\"text\/css\"><!--td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}--><\/style>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;This project aims to discuss what's the function of space, to explore the relationship between objects' physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The purpose is to transforming the dismantling gestures into a machine perception, trying to conceive new possibilities toward seeing and stretching on modern dance, body movements, space section, choreography as visual art, and moving as objects. This project bases on three main components\u2014space, light, and movement. Space includes unique spatial structures, which contains a stage, theater, gallery, human living place. Lighting and shadows shift in three-dimensional space to picturing a room blended with dots and lines, to show the replacement of the performer, the traces of objects' movements, and the invisible.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">This project aims to discuss what&#8217;s the function of space, to explore the relationship between objects&#8217; physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The purpose is to transforming the dismantling gestures into a machine perception, trying to conceive new possibilities toward seeing and stretching on modern dance, body movements, space section, choreography as visual art, and moving as objects. This project bases on three main components\u2014space, light, and movement. Space includes unique spatial structures, which contains a stage, theater, gallery, human living place. Lighting and shadows shift in three-dimensional space to picturing a room blended with dots and lines, to show the replacement of the performer, the traces of objects&#8217; movements, and the invisible.<\/span><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/xiaoyunzengzengzeng\/\"><img decoding=\"async\" class=\"alignnone  wp-image-948 lazyload\" data-src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"82\" height=\"82\" data-srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" data-sizes=\"(max-width: 82px) 100vw, 82px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 82px; --smush-placeholder-aspect-ratio: 82\/82;\" \/><noscript><img decoding=\"async\" class=\"alignnone  wp-image-948\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"82\" height=\"82\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" sizes=\"(max-width: 82px) 100vw, 82px\" \/><\/noscript><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-749-1-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-749-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/392622661?title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-749-2\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-749-2-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-749-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div id=\"pl-w5eb7012f6a7c0\"  class=\"panel-layout\" >\n<div id=\"pg-w5eb7012f6a7c0-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-w5eb7012f6a7c0-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-w5eb7012f6a7c0-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-639 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/joy-chan\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/joy-chan\/\">Joy Chan<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I start to [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-870 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/marina-santana-de-la-torre\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/marina-santana-de-la-torre\/\">Marina Santana De la Torre<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Alternative Facts (Hechos Alternativos) A reflection on the phrase \u201cAlternative Facts\u201d used during a press conference in January 22, 2017<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-642 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/mira-spremich\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/mira-spremich\/\">Mira Spremich<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Endure Yikai Luc Wu, Kai-Luen Liang, Madyson Thornquest, Max Harper, Nick Chang<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-657 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/roger-kim\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/roger-kim\/\">Roger Kim<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Elements Elements is an interactive web-based installation that uses the classical Chinese idea of five elements (\u706b fire, \u6c34 water, \u6728 wood, \u91d1 metal, and \u571f earth) to explore perspectives that contradict and coexist at the same time. Visitors to the web-page will be able to manipulate elements (as represented by Chinese characters), and see [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-546 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jamie-naqvi\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jamie-naqvi\/\">Jamie Naqvi<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Scenes Inspired by film, memory, and collage, &#8220;Scenes&#8221; uses found and original material to recreate three scenes from its author&#8217;s life. &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-531 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/dongpu-ling\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/dongpu-ling\/\">Dongpu Ling<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its \u201cmind\u201d, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-700 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/kelon-cen\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/kelon-cen\/\">Kelon Cen<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Doppelganger &#8211; Symbiosis Doppelg\u00e4nger IV &#8211; Symbiosis (2020) is a composed theatre project exploring the concept of human-machine symbiosis. It\u2019s an immersive multimedia experience that consists of projection mappings, spatialized sound, interactive sculpture, and performance art. Symbiosis is part of the Doppelg\u00e4nger research project by IMUU that explores the human condition in a futuristic dystopia [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-551 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\">Jennie Park<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/749\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1484,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Xiaoyun Zeng - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Xiaoyun Zeng - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\" \/>\n<meta property=\"og:site_name\" content=\"CalArts Expo 2020\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-14T04:38:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.41.52-PM.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1240\" \/>\n\t<meta property=\"og:image:height\" content=\"642\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\",\"name\":\"Xiaoyun Zeng - CalArts Expo 2020\",\"isPartOf\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.41.52-PM.png\",\"datePublished\":\"2020-05-04T20:41:24+00:00\",\"dateModified\":\"2020-05-14T04:38:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/#primaryimage\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.41.52-PM.png\",\"contentUrl\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.41.52-PM.png\",\"width\":1240,\"height\":642},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/expo.calarts.edu\/2020\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Xiaoyun Zeng\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#website\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/\",\"name\":\"CalArts Expo 2020\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/expo.calarts.edu\/2020\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#organization\",\"name\":\"CalArts Expo 2020\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/01\/cropped-CA-Expo2020_Logo-01-1.png\",\"contentUrl\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/01\/cropped-CA-Expo2020_Logo-01-1.png\",\"width\":1250,\"height\":1250,\"caption\":\"CalArts Expo 2020\"},\"image\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Xiaoyun Zeng - CalArts Expo 2020","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/","og_locale":"en_US","og_type":"article","og_title":"Xiaoyun Zeng - CalArts Expo 2020","og_description":"Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. 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