{"id":672,"date":"2020-05-04T18:40:15","date_gmt":"2020-05-04T18:40:15","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=672"},"modified":"2020-05-09T18:38:13","modified_gmt":"2020-05-09T18:38:13","slug":"mia-yao-meng","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/mia-yao-meng\/","title":{"rendered":"Mia Yao Meng"},"content":{"rendered":"<div id=\"pl-672\"  class=\"panel-layout\" >\n<div id=\"pg-672-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-672-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-672-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\t\t<h1>Mia Yao Meng<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 2 - Art &amp; Tech<\/h3>\n\t\t<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-672-1\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-672-1-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-672-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Hyperreal Gesstures<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<style type=\"text\/css\"><!--td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}--><\/style>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;This project is a reflection of the gestures we perform on a routine basis in order to interact (as the trigger and the data input) with networked devices such as smartphones and laptops. These gestures are abstracted\/flattened in the design process and transformed into online behaviors. This habit-formation process only takes us a few attempts to get into new games of communications and interactions. How and by whom is this gestural language designed? Where is it taking our bodily actions to? As gestural controls are being further developed to blending the online\/virtual world and the \u201creal world\u201d, this project reveals something intimate and problematic, wandering around the missing context left behind through our online interactions.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">This project is a reflection of the gestures we perform on a routine basis in order to interact (as the trigger and the data input) with networked devices such as smartphones and laptops. These gestures are abstracted\/flattened in the design process and transformed into online behaviors. This habit-formation process only takes us a few attempts to get into new games of communications and interactions. How and by whom is this gestural language designed? Where is it taking our bodily actions to? As gestural controls are being further developed to blending the online\/virtual world and the \u201creal world\u201d, this project reveals something intimate and problematic, wandering around the missing context left behind through our online interactions.<\/span><\/p>\n<style type=\"text\/css\"><!--td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}--><\/style>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;mengyaoo.com&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:276670,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;14&quot;:{&quot;1&quot;:2,&quot;2&quot;:1136076},&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8,&quot;21&quot;:1}\" data-sheets-hyperlink=\"http:\/\/mengyaoo.com\"><a class=\"in-cell-link\" href=\"http:\/\/mengyaoo.com\" target=\"_blank\" rel=\"noopener noreferrer\">mengyaoo.com<\/a><\/span><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/myyaoo\/?hl=en\"><img decoding=\"async\" class=\"alignnone wp-image-948 lazyload\" data-src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"80\" height=\"80\" data-srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" data-sizes=\"(max-width: 80px) 100vw, 80px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 80px; --smush-placeholder-aspect-ratio: 80\/80;\" \/><noscript><img decoding=\"async\" class=\"alignnone wp-image-948\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"80\" height=\"80\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/><\/noscript><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-672-1-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-672-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;link_color&quot;:&quot;#ffffff&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/RhqBvEV1h48\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-672-2\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-672-2-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-672-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-1846 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/clay-chaplin\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/clay-chaplin\/\">Clay Chaplin<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Clay Chaplin Music ESP Festival &#8211; Telematic Concert Series Day 1 &#8211; Fixed Media works Shuwen Zhao https:\/\/vimeo.com\/418187433 Azariah Felton https:\/\/vimeo.com\/418184810 Abigail Johnson https:\/\/vimeo.com\/418184478 Andrew Dyet https:\/\/vimeo.com\/418184643 Day 2 &#8211; Live Sets Isaac Rohr https:\/\/vimeo.com\/418185412 Rebecca Drapkin https:\/\/vimeo.com\/418185955 Day 3 &#8211; Live Sets Leslie Lang https:\/\/vimeo.com\/418185804 Brian Griffith https:\/\/vimeo.com\/418143070 Day 4 &#8211; Live Sets Maria [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-1908 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/j-rosenbaum\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/j-rosenbaum\/\">J. Rosenbaum<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Set in Stone A series of marble faces, generated by AI, as it learns to create and update its bias\u2019 on gender. First it is trained to generate masculine marble faces, fixed, immovable. Then marble feminine faces are added. It learns to change, a transgender neural network, updating its knowledge and its experience as it [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-697 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/max-jaffe\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/max-jaffe\/\">Max Jaffe<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The SOFT Glass &#8220;The S.O.F.T. (Sonification Of Flowing Temporality) Glass is an hourglass that makes and manipulates sound. In its final form, it will be a sculptural object that can double as a musical instrument, based on the simple and enduring timekeeping device dating back at least to the 16th century BC. Utilizing a variety [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-2069 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/unbuilt-door\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/unbuilt-door\/\">Unbuilt Door<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>JOANA P. CARDOZO\u00a0 \u00a0 \u00a0JIAYU ZHANG<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-436 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/annie-do\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/annie-do\/\">Annie Do<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>ANNIE DO &#8211; Artpiaz Artwork &#8211;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-33 page type-page status-publish hentry post\">\n\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/directors\/\">Directors<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Ajay KapurAjay Kapur defines himself as a \u201cMusical Scientist.\u201d The \u201cScientist\u201d in him organizes experiments on how computer programming, electrical engineering, and digital signal processing can be used in artistic practices. The \u201cMusician\u201d in him gathers all the current technology from his laboratory into modules that can be used in the concert hall, writing modern [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-467 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">Charles Danner<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-710 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/sungjae-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/sungjae-lee\/\">Sungjae Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Wind and Wave Drawings is a series of motion drawings that intrinsically shows only one piece of thread; the video describes how the shape of the thread is changed by the wave of water and wind. By gathering these diversified shapes of the original thread, this project challenges the fundamental origin of the world that [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/15\/\">15<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/672\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hyperreal Gesstures This project is a reflection of the gestures we perform on a routine basis in order to interact (as the trigger and the data input) with networked devices such as smartphones and laptops. These gestures are abstracted\/flattened in the design process and transformed into online behaviors. This habit-formation process only takes us a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1535,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mia Yao Meng - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/mia-yao-meng\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mia Yao Meng - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Hyperreal Gesstures This project is a reflection of the gestures we perform on a routine basis in order to interact (as the trigger and the data input) with networked devices such as smartphones and laptops. These gestures are abstracted\/flattened in the design process and transformed into online behaviors. 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