{"id":660,"date":"2020-05-04T18:35:32","date_gmt":"2020-05-04T18:35:32","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=660"},"modified":"2020-05-09T18:45:06","modified_gmt":"2020-05-09T18:45:06","slug":"ruoyi-shi","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/ruoyi-shi\/","title":{"rendered":"Ruoyi Shi"},"content":{"rendered":"<div id=\"pl-660\"  class=\"panel-layout\" ><div id=\"pg-660-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-660-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-660-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child\" data-index=\"0\" >\t\t<h1>Ruoyi Shi<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 1 - Art<\/h3>\n\t\t<\/div><div id=\"panel-660-0-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">I WENT DOWN THE STREAM<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>\"I create 3 videos to show a world hidden inside the reflection of water.<\/p>\n<p>I use my tentacle that is made out of water to find a link between the world that surrounds me right now and the memories of adventure that only I know. No matter if it is humidity or moisture, I sense water to discover the unknown;<\/p>\n<p>Just like water has no fixed form, I hold different identities when facing water.<br \/>\nI seek the trace of water anywhere I come across, as an archaeologist, an explorer, a stranger, a human being, or even an object. I talk with and attempt to build relationships with water, taking care of it and sometimes accidentally causing its rebirth.<\/p>\n<p>The world is covered with\u201d truths\u201d that I can\u2019t understand. I have to use my tentacle to sense the real truth. As the witness and a liaison of the hidden world, I attach consumer objects, uncontrollable nature, and myself together with ropes and words; to recreate the hidden world in this twisted reality. \"<\/p>\n<p><a href=\"https:\/\/www.shiruoyi.com\/\">https:\/\/www.shiruoyi.com\/<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-660-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-660-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-660-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-660-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/385344379\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-660-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-660-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-660-1-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/372774141?title=0&byline=0&portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-660-1-2\"  class=\"panel-grid-cell\" ><div id=\"panel-660-1-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"panel-widget-style panel-widget-style-for-660-1-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/391894286?title=0&byline=0&portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-660-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-660-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-660-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"5\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-749 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\">Xiaoyun Zeng<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Dance Machine This project aims to discuss what&#8217;s the function of space, to explore the relationship between objects&#8217; physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-851 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/minline-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/minline-lee\/\">Minline Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Silver &amp; Matte grey series The avatars of digital era<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-880 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/juan-antonio-rivera\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/juan-antonio-rivera\/\">Juan Antonio Rivera<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>F\u00f8rg\u00f8tten &#8211; A Contemporary Ballet for the Soul. This art performance is about social justice in the 21st century, bringing to light the reality that our society now lives with police brutality. Many of my family members have had to have the &#8220;police&#8221; talk, &#8220;hoodie&#8221; talk, or &#8220;walking-out-late-at-night&#8221; talk with their teenagers, warning them that [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-587 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jessie-hodges\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jessie-hodges\/\">Jessie Hodges<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Save Yourself; VIDEO COMPILATION Submitting one installation work &#8220;Save Yourself&#8221; along with a compilation of videos that I would loop together. &#8220;No One Has Met Me, &#8220;Keep on Keepin&#8217; On&#8221;,&#8221;Lick Piece&#8221;, &#8220;The Artist is Roasted&#8221; &#8220;What I Found Under the Rug: A Statement about Stress&#8221; \u00a0\u00a0<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-667 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/mengqing-yuan\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/mengqing-yuan\/\">Mengqing Yuan<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>B-body &#8220;My B-body&#8221; is a project I created during home quarantine. It is based on a poem I wrote about the relationship between my physical body and my consciousness. The text of the poem reads: My B-body My body doesn\u2019t belong to me It wants to be free It wants to come apart It wants [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-734 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/tim-feeney\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/tim-feeney\/\">Tim Feeney<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Multimeda recordings of spontaneous music: prompts for assembling sound and image, running remote-distanced seances, and\/or time-based annoyance. CalArts Percussion Ensemble: Morgan Alford, Kristyna Svihalkova, Henry Delargy, and Eric Lennartson Free Improvisation Ensemble: Camille Kiku Belair, Maria Alejandra Bulla, Rebecca Drapkin, Hazel Feiner, Brian Griffith, Jeremy Rosenstock, Adam Zuckerman, Kai Cleaveland, Stefany Glik, Bjorn Gustafsson, Terry [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-546 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jamie-naqvi\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jamie-naqvi\/\">Jamie Naqvi<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Scenes Inspired by film, memory, and collage, &#8220;Scenes&#8221; uses found and original material to recreate three scenes from its author&#8217;s life. &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-451 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/carla-lopez\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/carla-lopez\/\">Carla Lopez<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Water as a cleansing, invigorating, distortional, and transitional space. Motel pools as portals. Coloring and Layout Assistance &#8211; Lula Ochoa and Emily Malone My Swimmers &#8211; Lula Ochoa, Audrey Bandrowski, James Holsten, and Arius Ziaee Additional Camera Work &#8211; Savannah Perry Music by 11ai &#8211; www.ilai.link Thank you to the Calarts Risograph Printing Techs, especially [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/660\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Water as a cleansing, invigorating, distortional, and transitional space. Motel pools as portals. Coloring and Layout Assistance &#8211; Lula Ochoa and Emily Malone My Swimmers &#8211; Lula Ochoa, Audrey Bandrowski, James Holsten, and Arius Ziaee Additional Camera Work &#8211; Savannah Perry Music by 11ai &#8211; www.ilai.link Thank you to the Calarts Risograph Printing Techs, especially [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1432,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ruoyi Shi - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/ruoyi-shi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ruoyi Shi - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Water as a cleansing, invigorating, distortional, and transitional space. 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