{"id":639,"date":"2020-05-04T18:18:21","date_gmt":"2020-05-04T18:18:21","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=639"},"modified":"2020-05-13T02:19:02","modified_gmt":"2020-05-13T02:19:02","slug":"joy-chan","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/joy-chan\/","title":{"rendered":"Joy Chan"},"content":{"rendered":"<div id=\"pl-639\"  class=\"panel-layout\" ><div id=\"pg-639-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-639-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-639-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Joy Chan<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 1 - Film<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-639-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-639-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-639-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Modern Residency<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<style type=\"text\/css\"><!--td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}--><\/style>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I start to touch the world on a completely different way. This work record my time in the room and the time I look out from those pieces of glass, in a way to think of normal, existence, and isolation.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4286,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:14277081},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\">14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I start to touch the world on a completely different way. This work record my time in the room and the time I look out from those pieces of glass, in a way to think of normal, existence, and isolation.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-639-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-639-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/w_sw0cfR_YU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-639-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-639-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-639-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"3\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-467 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">Charles Danner<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-597 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/john-tejada\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/john-tejada\/\">John Tejada<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Future Stars class compilation album John Tejada, a frequent guest on Touched Music compilations, hatched the idea of turning the final project for his CalArts \u201cAdvanced Electronic Music Production\u201d class into a compilation album for the established label. John Tejada Presents Future Stars features 15 of Tejada\u2019s students at their best, as well as an [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-863 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/perry-cook\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/perry-cook\/\">Perry Cook<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>COVID Pan Drum: A Robot Tongue-Drum Rendering of the SARS-2 COVID Virus Genome I\u2019m building a custom robot to play a little lap-sized tongue (steel) drum. A program will read through the roughly 30k base pairs in the COVID 19 (SARS-2 COVID Wuhan Seafood Market) DNA sequence. Particular (known) functioning segments will be sonified when [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-633 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jon-hudson\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jon-hudson\/\">Jon Hudson<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>sculpture: SYNCHRONICITY:MINQIN stainless steel sculpture, 15 ft. dia., installed at Minqin Intl. Desert Sculpture Park, outside Minqin, Gansu, China<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-778 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/luka-fisher\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/luka-fisher\/\">Luka Fisher<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>No Time For Names is a 51 minute score created in Spring 2020 by artists Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, Kyler O&#8217;Neal, Ritual Spirit, Danielle Roz, and Christina Elaine Vasquez and arranged by Luka Fisher and her garage band. Collaborators: Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-537 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/gabriela-padilla\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/gabriela-padilla\/\">Gabriela Padilla<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope. &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-534 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/eric-lennartson\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/eric-lennartson\/\">Eric Lennartson<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>A laser pointer is pointed at a mirror attached to a balloon. Sounds from a synthesizer vibrate the balloon, causing the mirror to move. This moves the laser pointer, resulting in the visualization of how the sound causes the balloon to vibrate. The images produced from this process are called lissajous figures. The improvisation explores [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-515 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/colin-yeo\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/colin-yeo\/\">Colin Yeo<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>I Am the Sun I Am the Sun is a virtual walk through play about a bear&#8217;s journey to self fulfillment. www.yeoart.com &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/639\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Modern Residency 14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. As I stay, I [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2010,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Joy Chan - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/joy-chan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joy Chan - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Modern Residency 14 days in the lockdown April, I was locked up in a central quarantine accommodation. 14 days with the extraction of fresh air and the earth, the only approach for me to connect with the loving world is the peephole in my room door and a locked up window. 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