{"id":605,"date":"2020-05-04T17:53:21","date_gmt":"2020-05-04T17:53:21","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=605"},"modified":"2020-05-11T20:14:01","modified_gmt":"2020-05-11T20:14:01","slug":"kai-luen-liang","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/kai-luen-liang\/","title":{"rendered":"Kai Luen Liang"},"content":{"rendered":"<div id=\"pl-605\"  class=\"panel-layout\" >\n<div id=\"pg-605-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-605-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-605-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\t\t<h1>Kai Luen Liang<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 2 - Music<\/h3>\n\t\t<\/div>\n<div id=\"panel-605-0-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><a href=\"https:\/\/www.instagram.com\/kailuen3030\/\"><img decoding=\"async\" class=\"wp-image-948 alignleft lazyload\" data-src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png\" alt=\"\" width=\"78\" height=\"78\" data-srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w\" data-sizes=\"(max-width: 78px) 100vw, 78px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 78px; --smush-placeholder-aspect-ratio: 78\/78;\" \/><noscript><img decoding=\"async\" class=\"wp-image-948 alignleft\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png\" alt=\"\" width=\"78\" height=\"78\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w\" sizes=\"(max-width: 78px) 100vw, 78px\" \/><\/noscript><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-605-1\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-605-1-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-605-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Flag ASMR<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>&#8220;On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. Especially from immigrants of all colors, flying the flag out of a sense of fear of appearing to be on the wrong side.<\/p>\n<p>The sound of the twin towers falling in my memory is silent. Filmed from far away. As the second plane hit, there was no sound on TV. I heard the sound via the sound of my own heart beating and the breath of the newscaster trying to be as professional as possible as they had to report a major catastrophe in real time, live in front of the world.<\/p>\n<p>Flag ASMR is the attempt to recall a memory. An attempt to close a schism caused by a fear of the lines people cross and the fears of uncertainty, harm, and danger. What is the sound of a silent memory. The sound of it being touched, taken apart, and reordered.&#8221;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-605-1-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-605-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>\t<iframe data-src=\"https:\/\/player.vimeo.com\/video\/411296104\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-605-2\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-605-2-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-605-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Redefining Boundaries<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>Building new systems, setting new parameters. Boundaries are constantly defined and redefined. An experiment in generative systems, generative image\/ film and sound relationships. Exploring mutual relationships\/ co-habitations of sonic and visual digital spaces.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-605-2-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-605-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/411251732\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-605-3\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-605-3-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-605-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">Manufacturing Landscapes<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot; *** warning: Contains strong flashing lights....\\n\\nManufacturing Landscapes:\\n\\nA short film investigating the metaphors of vision used in surveillance hardware brand videos. Uses various Generative Adversarial Networks(GAN)\/ machine learning image synthesis techniques to generate material related to vision and changing landscapes. Also looks at word associations with images by using text descriptions to generate images. The images generated were then used as \\&quot;found footage\\&quot; for the film.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:14720,&quot;10&quot;:2,&quot;11&quot;:4,&quot;14&quot;:[null,2,255],&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">*** warning: Contains strong flashing lights&#8230;.<\/span><\/p>\n<p>Manufacturing Landscapes:<\/p>\n<p>A short film investigating the metaphors of vision used in surveillance hardware brand videos. Uses various Generative Adversarial Networks(GAN)\/ machine learning image synthesis techniques to generate material related to vision and changing landscapes. Also looks at word associations with images by using text descriptions to generate images. The images generated were then used as &#8220;found footage&#8221; for the film.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-605-3-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-605-3-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"7\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<iframe data-src=\"https:\/\/player.vimeo.com\/video\/412911919?title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-605-4\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-605-4-0\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\"  data-weight=\"0.5\" >\n<div id=\"panel-605-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-605-4-1\"  class=\"panel-grid-cell panel-grid-cell-empty\"  data-weight=\"0.5\" ><\/div>\n<\/div>\n<div id=\"pg-605-5\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-605-5-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-605-5-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"9\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-578 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jeremy-rosenstock\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jeremy-rosenstock\/\">Jeremy Rosenstock<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>This is a text setting of excerpts from &#8220;Notes on the Cinematograph&#8221; and &#8220;Au Hasard Balthazar&#8221; by Robert Bresson. The work is composed for speaking pianist.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-826 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/steve-weir\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/steve-weir\/\">Steve Weir<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Alleys The Alleys series documents a lesser-known casualty of the construction boom in Seattle\u2014alleyways. While they often carry a negative reputation, they are an integral part of the urban landscape.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-519 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/emily-eisenstein\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/emily-eisenstein\/\">Emily Eisenstein<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>plasticity My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-1857 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/\">Gabi Galloway<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Gabi Galloway BFA 3 &#8211; Theatre Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-788 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/joana-p-cardozo\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/joana-p-cardozo\/\">Joana P. Cardozo<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-474 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">Christine Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Happy Headroom \u201cHappy Headroom\u201d was part of my mid-residency show titled \u201cLiving Threads\u201d in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-706 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/meisen-hu\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/meisen-hu\/\">Meisen Hu<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Cars N&#039; Cats A series of toy cats and vehicle prototypes https:\/\/humeisen.wixsite.com\/relicworkshop<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-1872 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/marc-laroussini\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/marc-laroussini\/\">Marc Laroussini<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>MetaWare High School (Demo) MetaWare High School (Demo) Keeby, Sparkbag (Non-Calartians) https:\/\/not-fun-games.itch.io\/metaware-high-school<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/14\/\">14<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/605\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Flag ASMR &#8220;On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. Especially from immigrants of all colors, flying the flag out of a sense of fear of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1363,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kai Luen Liang - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/kai-luen-liang\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kai Luen Liang - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Flag ASMR &#8220;On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. 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