{"id":551,"date":"2020-05-04T04:03:08","date_gmt":"2020-05-04T04:03:08","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=551"},"modified":"2020-05-09T19:07:22","modified_gmt":"2020-05-09T19:07:22","slug":"jennie-park","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/jennie-park\/","title":{"rendered":"Jennie Park"},"content":{"rendered":"<div id=\"pl-551\"  class=\"panel-layout\" ><div id=\"pg-551-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Jennie Park<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 1 - Art<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-551-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">DIY Political Machines: Circular to Linear Motion<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;[DRAFT] Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law). \\n\\n***In the FINAL VIDEO, I\u2019ll use gray seamless background paper and remove sources of light reflection. I may alter the direction and speed of some motors via Arduino in some shots; the final edit will cut between 2- to 3-channel views of the machines, close-up, side, and other angle views of different components of the machines, and will be synced to the music in a kind of fugue\/symphony (total runtime: around 4 mins).***&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law).<\/span><\/p><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-551-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-551-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/PbGsXL8cQWc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-551-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Vision Test \/ Viewfinder<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;[DRAFT] This \\&quot;vision test\\&quot; or (tourist) \\&quot;viewfinder\\&quot; presents alternate interpretations of the same images, via 4 phrases: \\&quot;WE ARE THE VIRUS,\\&quot; \\&quot;THEY ARE THE VIRUS,\\&quot; \\&quot;WE RESIST THE VIRUS,\\&quot; \\&quot;THEY RESIST THE VIRUS.\\&quot; (An optician asks, \u201cLens A or B,\u201d to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical \u201cviruses:\u201d the unhoused, imprisoned, etc. are deemed societal \u201cdiseases;\u201d at once, capitalism, pollution &amp; social media are deemed viral. In a given context, who are \\&quot;we\\&quot; &amp; \\&quot;they?\\&quot; What's a \\&quot;virus?\\&quot; As \\&quot;resist\\&quot; has political and immunization-related meanings, what does it mean to \\&quot;resist the virus?\\&quot;\\n\\n**I'll shoot the FINAL VIDEO against gray seamless &amp; do one of: a) cut btwn lenses rotating &amp; laptop images, b) get both lenses &amp; laptop images focused in same shot, c) split screen btwn lenses &amp; images. Laptop will be on a painted box, not books. I may keep the motor sounds only, music only, or cut btwn both. I may include different\/new images. Length: 2-4mins.**&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">This \"vision test\" or (tourist) \"viewfinder\" presents alternate interpretations of the same images, via 4 phrases: \"WE ARE THE VIRUS,\" \"THEY ARE THE VIRUS,\" \"WE RESIST THE VIRUS,\" \"THEY RESIST THE VIRUS.\" (An optician asks, \u201cLens A or B,\u201d to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical \u201cviruses:\u201d the unhoused, imprisoned, etc. are deemed societal \u201cdiseases;\u201d at once, capitalism, pollution &amp; social media are deemed viral. In a given context, who are \"we\" &amp; \"they?\" What's a \"virus?\" As \"resist\" has political and immunization-related meanings, what does it mean to \"resist the virus?\"<\/span><\/p><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-551-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-551-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/1K1WJpWMUSw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-551-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-3-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"5\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-527 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/daniel-rappaport\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/daniel-rappaport\/\">Daniel Rappaport<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Live Your Fantasy! Daniel L Rappaport is a CalArts alum (graphic design &#8217;01) and is a graduate of the FIDM\/Fashion Institute of Design and Merchandising (digital media &#8217;08). His ascendants are Walt Disney, Steve Jobs, and others, and he hails from the disgustingly famous Beverly Hills, CA. He has over 25 years of digital media [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-851 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/minline-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/minline-lee\/\">Minline Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Silver &amp; Matte grey series The avatars of digital era<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-783 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">Jiayu Zhang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Unbuilt Door Unbuilt Door is a collaborative sound installation between Jiayu Zhang and Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-838 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/sonia-vargas\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/sonia-vargas\/\">Sonia Vargas<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Lights Lights of a carousel illuminating the dark sky https:\/\/syvargas470.wixsite.com\/website<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-1269 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/arash-hajihosseini\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/arash-hajihosseini\/\">Arash Hajihosseini<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\">Arash Hajihosseini MFA 2 - Music<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-756 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/usha-venkat\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/usha-venkat\/\">Usha Venkat<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Radical Practice Radical Practice is a series of podcast conversations between CalArts Graphic Design Program alumnae and current students. Each episode features an alumna with a distinct professional practice, including BFAs and MFAs whose endeavors range from cultural to corporate and from singular enterprises to ambitious ideas. We\u2019ll discuss how they have defined success for [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-630 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/laura-sofia-perez\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/laura-sofia-perez\/\">Laura Sofia Perez<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Modesty Odyssey Unreleased music video for &#8220;Modesty Odissey&#8221; by Brooklyn born artist Melanie Charles, whose creative fluidity spans jazz, soul, experimental, and her own Haitian roots.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-474 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">Christine Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Happy Headroom \u201cHappy Headroom\u201d was part of my mid-residency show titled \u201cLiving Threads\u201d in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>DIY Political Machines: Circular to Linear Motion Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1338,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jennie Park - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jennie Park - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"DIY Political Machines: Circular to Linear Motion Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. 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