{"id":551,"date":"2020-05-04T04:03:08","date_gmt":"2020-05-04T04:03:08","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=551"},"modified":"2020-05-09T19:07:22","modified_gmt":"2020-05-09T19:07:22","slug":"jennie-park","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/jennie-park\/","title":{"rendered":"Jennie Park"},"content":{"rendered":"<div id=\"pl-551\"  class=\"panel-layout\" ><div id=\"pg-551-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Jennie Park<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 1 - Art<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-551-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">DIY Political Machines: Circular to Linear Motion<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;[DRAFT] Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law). \\n\\n***In the FINAL VIDEO, I\u2019ll use gray seamless background paper and remove sources of light reflection. I may alter the direction and speed of some motors via Arduino in some shots; the final edit will cut between 2- to 3-channel views of the machines, close-up, side, and other angle views of different components of the machines, and will be synced to the music in a kind of fugue\/symphony (total runtime: around 4 mins).***&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law).<\/span><\/p><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-551-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-551-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/PbGsXL8cQWc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-551-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Vision Test \/ Viewfinder<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;[DRAFT] This \\&quot;vision test\\&quot; or (tourist) \\&quot;viewfinder\\&quot; presents alternate interpretations of the same images, via 4 phrases: \\&quot;WE ARE THE VIRUS,\\&quot; \\&quot;THEY ARE THE VIRUS,\\&quot; \\&quot;WE RESIST THE VIRUS,\\&quot; \\&quot;THEY RESIST THE VIRUS.\\&quot; (An optician asks, \u201cLens A or B,\u201d to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical \u201cviruses:\u201d the unhoused, imprisoned, etc. are deemed societal \u201cdiseases;\u201d at once, capitalism, pollution &amp; social media are deemed viral. In a given context, who are \\&quot;we\\&quot; &amp; \\&quot;they?\\&quot; What's a \\&quot;virus?\\&quot; As \\&quot;resist\\&quot; has political and immunization-related meanings, what does it mean to \\&quot;resist the virus?\\&quot;\\n\\n**I'll shoot the FINAL VIDEO against gray seamless &amp; do one of: a) cut btwn lenses rotating &amp; laptop images, b) get both lenses &amp; laptop images focused in same shot, c) split screen btwn lenses &amp; images. Laptop will be on a painted box, not books. I may keep the motor sounds only, music only, or cut btwn both. I may include different\/new images. Length: 2-4mins.**&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">This \"vision test\" or (tourist) \"viewfinder\" presents alternate interpretations of the same images, via 4 phrases: \"WE ARE THE VIRUS,\" \"THEY ARE THE VIRUS,\" \"WE RESIST THE VIRUS,\" \"THEY RESIST THE VIRUS.\" (An optician asks, \u201cLens A or B,\u201d to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical \u201cviruses:\u201d the unhoused, imprisoned, etc. are deemed societal \u201cdiseases;\u201d at once, capitalism, pollution &amp; social media are deemed viral. In a given context, who are \"we\" &amp; \"they?\" What's a \"virus?\" As \"resist\" has political and immunization-related meanings, what does it mean to \"resist the virus?\"<\/span><\/p><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-551-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-551-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/1K1WJpWMUSw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-551-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-3-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"5\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-427 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/alex-cerutti\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/alex-cerutti\/\">Alex Cerutti<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Change The Game Change The Game is a creative exploration focused on being free, experimental, and self expressive \u2014 there are no limits. changethegame.studio<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-422 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/adam-zuckerman\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/adam-zuckerman\/\">Adam Zuckerman<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency\/translucence, copying\/covering, and distance\/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-615 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/lorelei-acuna\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/lorelei-acuna\/\">Lorelei Acuna<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Indigarb Fast fashion is the world&#8217;s second largest polluter, emitting 10% of all carbon emissions and is dumped into lands and oceans all over the world. In Our compilation of video and photography come together to evoke empathetic response in our viewers. By seeing humans absorbed in plastic, we mirror the way our Earth and [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-605 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/kai-luen-liang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/kai-luen-liang\/\">Kai Luen Liang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Flag ASMR &#8220;On Sept 11th, 2001 I watched the twin towers falling with my father. Glued to the TV. A silent demolition. An American reality TV show. In the weeks that followed, I started to see American flags everywhere. Especially from immigrants of all colors, flying the flag out of a sense of fear of [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-645 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/patty-rangel\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/patty-rangel\/\">Patty Rangel<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Hybrid Reality Theater &#8220;The Main Gallery screen will be pulled down and projected on it will be a video of Devorah Medwin (New York Actor&#8217;s Studio) doing a live reading of her play &#8220;&#8221;Maggie&#8221;&#8221; accompanied by her Second Life Avatar. After the video introduction, a reading of the short play will take place (live) by [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-746 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/woohee-cho\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/woohee-cho\/\">Woohee Cho<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: hate speech, racism, violence untitled wooheecho.com<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-642 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/mira-spremich\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/mira-spremich\/\">Mira Spremich<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Endure Yikai Luc Wu, Kai-Luen Liang, Madyson Thornquest, Max Harper, Nick Chang<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-474 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">Christine Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Happy Headroom \u201cHappy Headroom\u201d was part of my mid-residency show titled \u201cLiving Threads\u201d in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>DIY Political Machines: Circular to Linear Motion Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1338,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jennie Park - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jennie Park - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"DIY Political Machines: Circular to Linear Motion Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. 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