{"id":551,"date":"2020-05-04T04:03:08","date_gmt":"2020-05-04T04:03:08","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=551"},"modified":"2020-05-09T19:07:22","modified_gmt":"2020-05-09T19:07:22","slug":"jennie-park","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/jennie-park\/","title":{"rendered":"Jennie Park"},"content":{"rendered":"<div id=\"pl-551\"  class=\"panel-layout\" ><div id=\"pg-551-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Jennie Park<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 1 - Art<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-551-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">DIY Political Machines: Circular to Linear Motion<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;[DRAFT] Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law). \\n\\n***In the FINAL VIDEO, I\u2019ll use gray seamless background paper and remove sources of light reflection. I may alter the direction and speed of some motors via Arduino in some shots; the final edit will cut between 2- to 3-channel views of the machines, close-up, side, and other angle views of different components of the machines, and will be synced to the music in a kind of fugue\/symphony (total runtime: around 4 mins).***&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested systems such as science operating within politics (which operates within law).<\/span><\/p><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-551-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-551-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/PbGsXL8cQWc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-551-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Vision Test \/ Viewfinder<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;[DRAFT] This \\&quot;vision test\\&quot; or (tourist) \\&quot;viewfinder\\&quot; presents alternate interpretations of the same images, via 4 phrases: \\&quot;WE ARE THE VIRUS,\\&quot; \\&quot;THEY ARE THE VIRUS,\\&quot; \\&quot;WE RESIST THE VIRUS,\\&quot; \\&quot;THEY RESIST THE VIRUS.\\&quot; (An optician asks, \u201cLens A or B,\u201d to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical \u201cviruses:\u201d the unhoused, imprisoned, etc. are deemed societal \u201cdiseases;\u201d at once, capitalism, pollution &amp; social media are deemed viral. In a given context, who are \\&quot;we\\&quot; &amp; \\&quot;they?\\&quot; What's a \\&quot;virus?\\&quot; As \\&quot;resist\\&quot; has political and immunization-related meanings, what does it mean to \\&quot;resist the virus?\\&quot;\\n\\n**I'll shoot the FINAL VIDEO against gray seamless &amp; do one of: a) cut btwn lenses rotating &amp; laptop images, b) get both lenses &amp; laptop images focused in same shot, c) split screen btwn lenses &amp; images. Laptop will be on a painted box, not books. I may keep the motor sounds only, music only, or cut btwn both. I may include different\/new images. Length: 2-4mins.**&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12478,&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16773836},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:8}\">This \"vision test\" or (tourist) \"viewfinder\" presents alternate interpretations of the same images, via 4 phrases: \"WE ARE THE VIRUS,\" \"THEY ARE THE VIRUS,\" \"WE RESIST THE VIRUS,\" \"THEY RESIST THE VIRUS.\" (An optician asks, \u201cLens A or B,\u201d to ascertain visual acuity.) COVID-19 exists in a world structured by metaphorical \u201cviruses:\u201d the unhoused, imprisoned, etc. are deemed societal \u201cdiseases;\u201d at once, capitalism, pollution &amp; social media are deemed viral. In a given context, who are \"we\" &amp; \"they?\" What's a \"virus?\" As \"resist\" has political and immunization-related meanings, what does it mean to \"resist the virus?\"<\/span><\/p><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-551-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-551-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/1K1WJpWMUSw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-551-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-551-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-551-3-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"5\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-467 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">Charles Danner<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-678 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/matthew-pagoaga\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/matthew-pagoaga\/\">Matthew Pagoaga<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Parallel Self Embraced &#8220;Parallel Self Embraced is an upcoming interactive light art installation to be installed at Burning Man 2021. Parallel Self Embraced presents two panels with human figures outlined in their center. Radial lines extend outward from the figures and beckon as doorways for entry. Entering the piece trips a variety of sensors and [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-767 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/sam-jones\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/sam-jones\/\">Sam Jones<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Noticing Nature Noticing Nature looks at how a new story is needed that is more centered around nature. It explores how everything, including ourselves, is connected, and how important it is that we take the time to slow down and notice the nature that surrounds us every day. http:\/\/www.noticingnature.com\/<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-566 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/fallon-williams\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/fallon-williams\/\">Fallon Williams<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-403 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/aashray-harishankar\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/aashray-harishankar\/\">Aashray Harishankar<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Flight &#8220;Flight&#8221; is a 2019 concept album mirroring the timeline of human life, from birth until death and beyond. Each song, lyrically and sonically, represents a different time period, but all are reflections of life as a whole. Beginning with &#8220;Liftoff\/Zephyr&#8221;, we rise into a period of birth and infancy, of wonder and innocence, carrying [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-537 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/gabriela-padilla\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/gabriela-padilla\/\">Gabriela Padilla<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope. &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-783 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">Jiayu Zhang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Unbuilt Door Unbuilt Door is a collaborative sound installation between Jiayu Zhang and Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-464 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/carson-schafer\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/carson-schafer\/\">Carson Schafer<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>A Drum Solo Visualized Hello, I am a Jazz Drums MFA ALUM (&#8217;19). My goal with this submission has been to find a way to make visuals that clearly represent what drummers practice &#8211;moving around the kit and using multiple limbs at once to create music. I wondered if there was a way to visualize [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/551\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>DIY Political Machines: Circular to Linear Motion Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1338,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jennie Park - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jennie Park - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"DIY Political Machines: Circular to Linear Motion Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. 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