{"id":519,"date":"2020-05-04T03:42:01","date_gmt":"2020-05-04T03:42:01","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=519"},"modified":"2020-05-14T23:55:18","modified_gmt":"2020-05-14T23:55:18","slug":"emily-eisenstein","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/emily-eisenstein\/","title":{"rendered":"Emily Eisenstein"},"content":{"rendered":"<div id=\"pl-519\"  class=\"panel-layout\" >\n<div id=\"pg-519-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-519-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-519-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\t\t<h1>Emily Eisenstein<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>BFA 3 - Theatre<\/h3>\n\t\t<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-519-1\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;cell_alignment&quot;:&quot;flex-start&quot;}\" >\n<div id=\"pgc-519-1-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-519-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">plasticity<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p>My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.<\/p>\n<p><a href=\"https:\/\/www.instagram.com\/emilyeisenstein\/?hl=en\"><img decoding=\"async\" class=\"alignnone wp-image-948 lazyload\" data-src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"81\" height=\"81\" data-srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" data-sizes=\"(max-width: 81px) 100vw, 81px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 81px; --smush-placeholder-aspect-ratio: 81\/81;\" \/><noscript><img decoding=\"async\" class=\"alignnone wp-image-948\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"81\" height=\"81\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" sizes=\"(max-width: 81px) 100vw, 81px\" \/><\/noscript><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-519-1-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-519-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/ak5cDHDgSGw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-519-2\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-519-2-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-519-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-431 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/andrea-turk\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/andrea-turk\/\">Andrea Turk<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>KARMA Music Video \u201cKarma\u201d, a song by Andrea Turk featuring Prince Husein, is a song that throws you into the situation of unreciprocated love and how one would react to it. In this song, both sides wish the other person well but also \u2018karma\u2019, for wasting their time and effort into a one-sided relationship. The [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-667 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/mengqing-yuan\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/mengqing-yuan\/\">Mengqing Yuan<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>B-body &#8220;My B-body&#8221; is a project I created during home quarantine. It is based on a poem I wrote about the relationship between my physical body and my consciousness. The text of the poem reads: My B-body My body doesn\u2019t belong to me It wants to be free It wants to come apart It wants [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-531 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/dongpu-ling\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/dongpu-ling\/\">Dongpu Ling<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>ML Landscape I am interested in the inaccurate and unpredictable result that a machine can make. In order to understand its \u201cmind\u201d, I train the machine using images that have not been cropped, to see how it understands a thing that has not be seen before.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-403 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/aashray-harishankar\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/aashray-harishankar\/\">Aashray Harishankar<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Flight &#8220;Flight&#8221; is a 2019 concept album mirroring the timeline of human life, from birth until death and beyond. Each song, lyrically and sonically, represents a different time period, but all are reflections of life as a whole. Beginning with &#8220;Liftoff\/Zephyr&#8221;, we rise into a period of birth and infancy, of wonder and innocence, carrying [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-760 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/susana-pineda\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/susana-pineda\/\">Susana Pineda<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The Mermaid is a collaborative music video and one of the 6 pieces of my thesis project &#8220;Inner Creatures.&#8221; &#8220;Inner Creatures&#8221; explores the development motivations, characteristics and environments of the different sub-personalities within the psyche. &#8220;The Mermaid&#8221; is the sub-personality that deals with the emergence of sexuality, sexual identity, femininity and the need for self-determination. [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-783 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">Jiayu Zhang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Unbuilt Door Unbuilt Door is a collaborative sound installation between Jiayu Zhang and Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-630 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/laura-sofia-perez\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/laura-sofia-perez\/\">Laura Sofia Perez<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Modesty Odyssey Unreleased music video for &#8220;Modesty Odissey&#8221; by Brooklyn born artist Melanie Charles, whose creative fluidity spans jazz, soul, experimental, and her own Haitian roots.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-422 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/adam-zuckerman\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/adam-zuckerman\/\">Adam Zuckerman<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency\/translucence, copying\/covering, and distance\/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/519\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency\/translucence, copying\/covering, and distance\/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. Like a constellation of stars; or in the direction of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2217,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Emily Eisenstein - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/emily-eisenstein\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emily Eisenstein - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"A collection of melodies. Embedded like a small light in the corner. This piece engages themes and processes of transparency\/translucence, copying\/covering, and distance\/absence: the traces of a thing not there. Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody. 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